<?xml version="1.1" encoding="utf-8"?>
<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">LNE</journal-id><journal-title-group><journal-title>Lecture Notes in Education, Arts, Management and Social Science</journal-title></journal-title-group><issn>TBA</issn><eissn>2705-053X</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.18063/LNE.v3i10.1121</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>Re-mediating Heritage: ICH Documentaries as Generative Memory Devices</title><url>https://artdesignp.com/journal/LNE/3/10/10.18063/LNE.v3i10.1121</url><author>LiuPeng,LuoJuan</author><pub-date pub-type="publication-year"><year>2025</year></pub-date><volume>3</volume><issue>10</issue><history><date date-type="pub"><published-time>2025-11-26</published-time></date></history><abstract>In the digital context, Intangible Cultural Heritage (ICH) documentaries have evolved from salvage recording tools into&amp;rdquo; re-mediation devices&amp;rdquo; reorganizing tradition and modernity. This paper elucidates how they actively construct contemporary cultural memory. In narrative generation, strategies like reconstructing&amp;rdquo; sacred time&amp;rdquo; and symbol activation encode practices into accessible&amp;rdquo; memory time.&amp;rdquo; In space production, images establish presence through&amp;rdquo; location-soundscape&amp;rdquo; and&amp;rdquo; body-stage&amp;rdquo; performance, constructing symbolic&amp;rdquo; sites of memory&amp;rdquo;. Ultimately, these mechanisms transform ICH from local experiences into open public memory, functioning as digital devices that rebuild cultural continuity at the fracture points of modernity.</abstract><keywords>ICH Documentaries, Cultural Memory, Re-mediation</keywords></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>[1] Lenzerini F, 2011, Intangible Cultural Heritage: The Living Culture of Peoples. European Journal of International Law, 22(1): 101&amp;ndash;120.
[2] Bartolo L, 2024, Algorithmic Recommendation as Repair Work: Towards a More Just Distribution of Attention on Cultural and Entertainment Digital Platforms, thesis, Queensland University of Technology.
[3] Erlewein SN, 2015, Intangible Matters: Methodologies in Visual Anthropology and the Documentation of Intangible Cultural Heritage. Documenting and Presenting Intangible Cultural Heritage on Film, 25: 1&amp;ndash;25.
[4] Becker C, 2013, Aby Warburg&amp;rsquo;s Pathosformel as Methodological Paradigm. Journal of Art Historiography, 9: CB1.
[5] The Collective Memory Reader, 2011, The Collective Memory Reader. Oxford University Press, London.
[6] Legg S, 2005, Contesting and Surviving Memory: Space, Nation, and Nostalgia in Les Lieux de M&amp;eacute;moire. Environment and Planning D: Society and Space, 23(4): 481&amp;ndash;504.
[7] Assmann J, 2011, Communicative and Cultural Memory. Cultural Memories: The Geographical Point of View, 2011: 15&amp;ndash;27.
[8] Connerton P, 1989, How Societies Remember. Cambridge University Press, New York.
[9] Landsberg A, 2004, Prosthetic Memory: The Transformation of American Remembrance in the Age of Mass Culture. Columbia University Press, Columbia.
[10] Yuan MQ, 2020, Telling Family Stories: Media Memory Practice, Definitional Ceremony, and Communication Empowerment. Social Sciences in Nanjing, (9): 112&amp;ndash;119.
[11] Nora P, 1989, Between Memory and History: Les Lieux de M&amp;eacute;moire. Representations, 26: 7&amp;ndash;24.
[12] Mediation, Remediation, and the Dynamics of Cultural Memory, 2009, Mediation, Remediation, and the Dynamics of Cultural Memory. Walter de Gruyter, German.
[13] Wardrip-Fruin MN, Montfort N, 2003, The New Media Reader. MIT Press, New York.
[14] Bolter JD, Grusin R, 2000, Remediation: Understanding New Media. The MIT Press, New York.
[15] Stiegler B, 2010, Technics and Time, 3: Cinematic Time and the Question of Malaise. Stanford University Press, New York.
[16] Connerton P, 1989, How Societies Remember. Cambridge University Press, New York.
[17] Bauman R, 1975, Verbal Art as Performance 1. American Anthropologist, 77(2): 290&amp;ndash;311.</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
