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<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">EIR</journal-id><journal-title-group><journal-title>Educational Innovation Research</journal-title></journal-title-group><issn>3029-1844</issn><eissn>3029-1852</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26689/EIR.v4i7.16030</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>From Xing to Hen: The Lyrical Transformation in Wen Tingyun’s “Dreaming of the South”</title><url>https://artdesignp.com/journal/EIR/4/7/10.26689/EIR.v4i7.16030</url><author>WuQincheng</author><pub-date pub-type="publication-year"><year>2026</year></pub-date><volume>4</volume><issue>7</issue><history><date date-type="pub"><published-time>2026-07-26</published-time></date></history><abstract>Through a close reading of Wen Tingyun&amp;rsquo;s &amp;ldquo;Dreaming of the South,&amp;rdquo; this paper traces the late Tang shift in the lyrical paradigm of ci&amp;nbsp;from xing&amp;nbsp;(evocation) to hen&amp;nbsp;(regret). The negative words buzhi&amp;nbsp;(&amp;ldquo;does not know&amp;rdquo;) and kong&amp;nbsp;(&amp;ldquo;in vain&amp;rdquo;) turn objects from arousers of feeling into indifferent &amp;ldquo;others,&amp;rdquo; dissolving the resonance (gantong) on which xing&amp;nbsp;rested. This reflects the late Tang decline of belief in the resonance between Heaven and humanity (tianren ganying). In ci, hen&amp;nbsp;thus becomes a structural lyrical category.</abstract><keywords>xing,hen,estrangement of self and things,Wen Tingyun</keywords></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>[1] Liu X, 1975, Jiu Tang Shu. Beijing: Zhonghua, 1975: 5073.
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