<?xml version="1.1" encoding="utf-8"?>
<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">LNE</journal-id><journal-title-group><journal-title>Lecture Notes in Education, Arts, Management and Social Science</journal-title></journal-title-group><issn>3083-1091</issn><eissn>2705-053X</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26689/LNE.v4i6.15546</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>Preliminary Exploration of Music and Visual Video Integration: Taking Graduation Asterism·Echo as an Example</title><url>https://artdesignp.com/journal/LNE/4/6/10.26689/LNE.v4i6.15546</url><author>LiDuoyi,WangHongxia</author><pub-date pub-type="publication-year"><year>2026</year></pub-date><volume>4</volume><issue>6</issue><history><date date-type="pub"><published-time>2026-06-26</published-time></date></history><abstract>This paper introduces the creative process and technical implementation of the interactive multimedia work Asterism&amp;middot;Echo. Based on ancient Chinese observational data of Jupiter, the work generates line charts through celestial coordinate mapping and&amp;nbsp;converts&amp;nbsp;polyline&amp;nbsp;trajectories&amp;nbsp;into&amp;nbsp;atonal&amp;nbsp;musical&amp;nbsp;motifs. Integrating&amp;nbsp;human vocals, guqin, drums, strings, and synthesizers with multimodal mappings of Jupiter imagery, Dunhuang murals,&amp;nbsp;and&amp;nbsp;dance&amp;nbsp;footage, the&amp;nbsp;audio-visual&amp;nbsp;content&amp;nbsp;realizes interactive&amp;nbsp;and&amp;nbsp;immersive&amp;nbsp;integration&amp;nbsp;between&amp;nbsp;music&amp;nbsp;and&amp;nbsp;vision. Adopting TouchDesigner&amp;nbsp;and&amp;nbsp;Logic&amp;nbsp;Pro&amp;nbsp;as&amp;nbsp;core&amp;nbsp;technical&amp;nbsp;tools, the&amp;nbsp;work&amp;nbsp;maps&amp;nbsp;sound frequencies and timbres to visual elements, thereby producing dynamic presentations including animations, particle flows, and light-shadow variations. During the creation, technical challenges&amp;nbsp;such&amp;nbsp;as data visualization, irregular rhythms, and fluid visual interaction&amp;nbsp;were&amp;nbsp;overcome. The&amp;nbsp;work&amp;nbsp;achieves&amp;nbsp;in-depth&amp;nbsp;integration&amp;nbsp;of traditional Chinese&amp;nbsp;cultural&amp;nbsp;inheritance&amp;nbsp;and&amp;nbsp;technical&amp;nbsp;implementation, demonstrating&amp;nbsp;an innovative&amp;nbsp;aesthetic&amp;nbsp;path&amp;nbsp;that&amp;nbsp;bridges&amp;nbsp;ancient&amp;nbsp;natural&amp;nbsp;science&amp;nbsp;and&amp;nbsp;contemporary artistic expression.</abstract><keywords>Music visualization,Multimedia interaction,Sound-image relationship</keywords></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>[1] Grant MJ, 2005, Serial Music, Serial Aesthetics: Compositional Theory in Post-War Europe. Cambridge University Press.
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