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<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">CAS</journal-id><journal-title-group><journal-title>Cultural and Arts Studies</journal-title></journal-title-group><issn>3083-3957</issn><eissn>3083-3949</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26689/cas.v2i1.14260</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>The Continuation and Transformation of Fujian’s Folk Artistic Genes in Lacquer Painting Creation</title><url>https://artdesignp.com/journal/CAS/2/1/10.26689/cas.v2i1.14260</url><author>YuJing</author><pub-date pub-type="publication-year"><year>2026</year></pub-date><volume>2</volume><issue>1</issue><history><date date-type="pub"><published-time>2026-03-18</published-time></date></history><abstract>As the core birthplace of modern Chinese lacquer painting, Fujian has deeply integrated its folk art genes with lacquer painting creation, forming a unique “Fujian phenomenon”. This paper takes representative Fujian folk art forms such as the Huian Women’s Folk Art, Zhangping Farmers’ Paintings, and Xianyou Gilded and Colored Painting as research objects, analyzing the composition and aesthetic characteristics of its Fujian folk art genes, and proposing its continuation path and transformation innovation from the perspective of digitalization in contemporary society. It is hoped that this can provide an effective model for the dynamic inheritance of excellent traditional Chinese culture.</abstract><keywords>Folk art; Lacquer painting creation; Art gene Introduction</keywords></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>Mu Y, Li S, Chen S, et al., 2022, Research on the Form and Decorative Art of Gold Paint Storage Furniture in Northern Fujian. Furniture and Interior Decoration, 29(07): 86–90.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B2" content-type="article"><label>2</label><element-citation publication-type="journal"><p>Lu T, 2021, Thoughts on the Use of Language in Modern Lacquer Painting Creation. Tian Gong, (12): 85–87.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B3" content-type="article"><label>3</label><element-citation publication-type="journal"><p>Liu B, 2018, Application of Guangxi Miao Ethnic Costume Patterns in Lacquer Painting – Review of “Lacquer Painting Art and Design”. Printing and Dyeing Auxiliaries, 35(03): 65.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B4" content-type="article"><label>4</label><element-citation publication-type="journal"><p>Hua J, 2021, Protecting, Inheriting, Innovating, Managing and Revitalizing – The Continuation and Development of Traditional Chinese Crafts. Min Yi, (06): 67–71.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B5" content-type="article"><label>5</label><element-citation publication-type="journal"><p>Li Y, 2025, Memory Reconstruction: The Innovative Communication Path of Traditional Culture-Based Television Programs in the Digital Age. Huaxia Communication Research, (01): 201–215.</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
