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<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">erd</journal-id><journal-title-group><journal-title>Education Reform and Development</journal-title></journal-title-group><issn>2652-5364</issn><eissn>2652-5372</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26689/erd.v6i2.6457</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>A Study on the Communication Strategy of the Image of Dabu in Zhuang Folk Stories under the Background of the New Era</title><url>https://artdesignp.com/journal/erd/6/2/10.26689/erd.v6i2.6457</url><author>ZhuQianyi,LiuDanya</author><pub-date pub-type="publication-year"><year>2024</year></pub-date><volume>6</volume><issue>2</issue><history><date date-type="pub"><published-time>2024-02-27</published-time></date></history><abstract>A Piece of Zhuang Brocade (Yi Fu Zhuang Jin) is a highly representative folk tale of the Zhuang people in Guangxi. The image of the heroine, Dabu, embodies the indomitable pursuit of happiness and the sacrificial spirit of dedication among the Zhuang people, showcasing the unique charm of Chinese traditional folk culture. In the context of the new era, the dissemination and development of Dabu’s image present both opportunities and challenges. Therefore, it is necessary to follow current trends, adhere to the themes and aesthetics of the times, seek ways to highlight Dabu’s character traits and cultural expression, and seize the opportunity to integrate modern elements and culture to promote the exemplary image of Zhuang women.</abstract><keywords/></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>Zhou Z, Huang S, Ouyang R, et al., 2007, History of the Development of Zhuang Literature. Guangxi People Publisher, Nanning.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B2" content-type="article"><label>2</label><element-citation publication-type="journal"><p>Yang N, 1998, The Evolution of Liu Sanjie’s Image. Research on Ethnic Literature, 1998(1): 64–67.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B3" content-type="article"><label>3</label><element-citation publication-type="journal"><p>Wu Q, 2022, Study on the Communication Value of Liu Sanjie’s Ballad in Self-Media Under the Perspective of Cultural Soft Power Construction. Guangxi Ethnic Studies, 2022(2): 174–181.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B4" content-type="article"><label>4</label><element-citation publication-type="journal"><p>Zeng X, 2014, Study on the Use of Zhuang Clothing Culture in Animation Characters – Taking “A Piece of Zhuang Brocade” as an Example. Science and Education Wenhui (Zhongxian), 2014(11): 130–131.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B5" content-type="article"><label>5</label><element-citation publication-type="journal"><p>Cao Q, Lv Z, 2023, Study on the Path of Creative Transformation and Innovative Development of Ethnic Traditional Culture – Taking Caixiang Opera “New Liu Sanjie” as an Example. Guangxi Ethnic Studies, 2023(3): 146–151.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B6" content-type="article"><label>6</label><element-citation publication-type="journal"><p>Cen X, 2009, Let the Intangible Cultural Heritage “Live” – A Brief Comment on Guangxi Opera “Zhuang Jin”. Songhai, 2009(4): 12–14.</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
