<?xml version="1.1" encoding="utf-8"?>
<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">erd</journal-id><journal-title-group><journal-title>Education Reform and Development</journal-title></journal-title-group><issn>2652-5364</issn><eissn>2652-5372</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26689/erd.v6i4.6904</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>Tradition and Modernization of Thai Music and Dance Art</title><url>https://artdesignp.com/journal/erd/6/4/10.26689/erd.v6i4.6904</url><author>ZhouYiqiong</author><pub-date pub-type="publication-year"><year>2024</year></pub-date><volume>6</volume><issue>4</issue><history><date date-type="pub"><published-time>2024-05-20</published-time></date></history><abstract>Thailand, as one of the important representatives of Southeast Asian culture, has a long history of music and dance art. It integrates various cultural elements such as Thai, Chinese, and Indian, forming a unique and diverse artistic style. With the development of society and the exchange of culture, Thai music and dance constantly evolve between tradition and modernity, showing rich artistic charm. This paper aims to explore the significance of Thai music and dance in cultural inheritance, artistic innovation, and international exchange through the study of Thai music and dance.</abstract><keywords/></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>Smith J, 2010, Traditional and Modern Thai Music: A Brief Overview. Thai Music and Dance, 20(2): 45–58.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B2" content-type="article"><label>2</label><element-citation publication-type="journal"><p>Wang L, 2015, The Influence of Thai Music and Dance on Contemporary Southeast Asian Performing Arts. International Southeast Asian Arts, 5(1): 112–125.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B3" content-type="article"><label>3</label><element-citation publication-type="journal"><p>Pan S, 2018, The Role of Thai Traditional Music and Dance in Contemporary Thai Society. Contemporary Asian Studies, 38(3): 321–335.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B4" content-type="article"><label>4</label><element-citation publication-type="journal"><p>Wang X, 2022, Analysis of the Evolution and Development of Intangible Cultural Heritage of Traditional Music and Dance in the Process of Modernization. Huaxi, 2022(1): 88–90.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B5" content-type="article"><label>5</label><element-citation publication-type="journal"><p>Chen S, 2020, Religious and Cultural Colors in Southeast Asian Dance from the Perspective of Thai Dance Art. Songyafeng, 2020(1): 65–66.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B6" content-type="article"><label>6</label><element-citation publication-type="journal"><p>Sun W, 2023, The Relationship Between Music and Dance in Song and Dance Drama Zheng Lucheng. Grand View: Forum, 2023(2): 36–38.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B7" content-type="article"><label>7</label><element-citation publication-type="journal"><p>Ma J, 2018, “Slow Down and Fight Against this Era”: On Thai dancer Piche’s modern dance drama Black and White. Journal of Beijing Dance Academy, 2018(01): 62–65.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B8" content-type="article"><label>8</label><element-citation publication-type="journal"><p>Su Y, 2016, The Religious and Cultural Color of Southeast Asian Dance from the Perspective of Thai Dance Art. Drama House, 2016(11):150.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B9" content-type="article"><label>9</label><element-citation publication-type="journal"><p>Liu X, Zhou R, 2021, A Study on the Artistic characteristics of Kong Opera in Thailand. Drama-journal of the Central Academy of Drama, 2021(2): 114–122.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B10" content-type="article"><label>10</label><element-citation publication-type="journal"><p>Li D, 2020, Thailand’s World Intangible Cultural Heritage “Thailand Confucian Opera.” Modern and Ancient Culture and Creation, 2020(34): 65–66.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B11" content-type="article"><label>11</label><element-citation publication-type="journal"><p>Huang X, 2019, The Artistic Characteristics and Problems of Inheritance and Development of Kong Opera in Thailand. Frontier Economy and Culture, 2019(04): 111–113.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B12" content-type="article"><label>12</label><element-citation publication-type="journal"><p>Ming Y, 2019, Research on the Image of Hanuman in Thailand, dissertation, Yunnan Minzu University.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B13" content-type="article"><label>13</label><element-citation publication-type="journal"><p>Zhong Z, 2017, The Loneliness of Chaozhou Opera and Kong Opera in Bustling Bangkok. China and ASEAN Expo, 2017(2): 90–92.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B14" content-type="article"><label>14</label><element-citation publication-type="journal"><p>Wang Y, 2020, Taking the Essence and Passing it On: The Reference Significance of the Protection of Thai Kong Opera for the Promotion of Zhuang Opera. Popular Literature and Art, 2020(19): 111–112.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B15" content-type="article"><label>15</label><element-citation publication-type="journal"><p>Huang Q, 2020, Discussion on the Revitalization and Development of Kongju Opera from the Modern Inheritance and Protection of Kongju Opera in Thailand. Jinguwenchuang, 2020(32): 71–72.</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
