<?xml version="1.1" encoding="utf-8"?>
<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">erd</journal-id><journal-title-group><journal-title>Education Reform and Development</journal-title></journal-title-group><issn>2652-5364</issn><eissn>2652-5372</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26689/erd.v7i3.9980</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>Interactive Contemporary Art: Interactive Emotional Experience in Installation Art</title><url>https://artdesignp.com/journal/erd/7/3/10.26689/erd.v7i3.9980</url><author>ZhangQian</author><pub-date pub-type="publication-year"><year>2025</year></pub-date><volume>7</volume><issue>3</issue><history><date date-type="pub"><published-time>2025-04-02</published-time></date></history><abstract>With the constant development of contemporary art and Internet technology, new media technology has gradually attracted attention from the public. Art starts to transcend plat expression and visual effects. Meanwhile, breakthrough and innovation have been achieved regarding the diversity and pluralism of artistic expression. Due to its interactive, experiential, and innovative characteristics, interactive installation art has been widely researched. As the form of artistic expression changes, a transformation from two-dimensional space to three-dimensional space, artistic works are endowed with deeper cultural connotations and artistic effects, allowing the audience to derive various emotional experiences. The transmission of interactive visual effects, such as sound, light, and electricity, expands the scope of sensory perception. In the meantime, the combination of objective objects with subjective ideas provides an immersive cultural interaction experience, which evokes deeper emotional experiences, thus prompting the audience to think more profoundly.</abstract><keywords/></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>Wu C, 2024, Technical Aesthetic Reconstruction of Materials: A New Understanding in Installation Art. Art Education Research, 2024(23): 52–54.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B2" content-type="article"><label>2</label><element-citation publication-type="journal"><p>Kong F, 2024, Emotional Experience and Cultural Communication in Interactive Installation Art. Screen Printing, 2024(20): 74–76.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B3" content-type="article"><label>3</label><element-citation publication-type="journal"><p>Dai B, 2024, Creative Application of Interactive Installation Decorative Art in the Digital Age. Popular Literature and Art, 2024(23): 44–46.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B4" content-type="article"><label>4</label><element-citation publication-type="journal"><p>Peng X, 2017, A Brief Analysis of Emotional Experience in Interactive Art, thesis, Dalian University of Technology.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B5" content-type="article"><label>5</label><element-citation publication-type="journal"><p>Wei J, 2020, Research on Emotional Expression and Experience in Interactive Art, thesis, Nanjing University of the Arts.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B6" content-type="article"><label>6</label><element-citation publication-type="journal"><p>Kong F, 2024, Emotional Experience and Cultural Communication in Interactive Installation Art. Screen Printing, 2024(20): 74–76.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B7" content-type="article"><label>7</label><element-citation publication-type="journal"><p>Liu L, 2012, Research on New Media in Interactive Installation Art, thesis, Jiangnan University.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B8" content-type="article"><label>8</label><element-citation publication-type="journal"><p>Zuo R, 2016, On the Application of Emotional Design in New Media Interactive Art. Tomorrow’s Fashion, 2016(7): 16.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B9" content-type="article"><label>9</label><element-citation publication-type="journal"><p>Zhou Y, Zhang Y, 2023, Research on the Emotional Impact of Interactive Installation Art Works on the Audience. Art Appreciation, 2023(18): 103–106.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B10" content-type="article"><label>10</label><element-citation publication-type="journal"><p>Song L, 2024, Polka Dot Queen Infinite Dots—Yayoi Kusama and Her Artistic Creation. Art Literature, 2024(2): 79–81.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B11" content-type="article"><label>11</label><element-citation publication-type="journal"><p>Liu Q, 2022, Yayoi Kusama’s Dot World. Reading, 2022(89): 42–45.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B12" content-type="article"><label>12</label><element-citation publication-type="journal"><p>Wang X, 2024, A Brief Analysis of the Choice and Expression of Media in Installation Art. China Painting and Calligraphy News, 2024-09-18(004).</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B13" content-type="article"><label>13</label><element-citation publication-type="journal"><p>Hao Y, 2023, Living in Simulacrum, thesis, Lu Xun Academy of Fine Arts.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B14" content-type="article"><label>14</label><element-citation publication-type="journal"><p>Olafur E, 2021, Atmospheric Wave Wall. Public Art, 2021(1): 110.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B15" content-type="article"><label>15</label><element-citation publication-type="journal"><p>Luo Y, 2017, The Imaginary World of Sustainable Development: Observations from Interactive Art Installations. 22(2): 17.</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
