IEFInternational Education Forum3083-49022981-8605Bio-Byword Scientific Publishing Pty. Ltd.10.26689/ief.v2i4.7510ArticleExploration of the Influence and Development of Grassland Culture on Contemporary Oil Painting Creation in Inner Mongoliahttps://artdesignp.com/journal/IEF/2/5/10.26689/ief.v2i4.7510LeYunfei2024252024-07-11The progress of the times has promoted the diversified development of oil painting in China, with ethnic minority cultural themes being an important component. The Inner Mongolia region has a vast territory and profound grassland historical and cultural heritage, nurturing countless Chinese people. It is the cradle of nomadic life, and its long history has created its unique artistic aesthetics. Grassland culture has provided an inexhaustible source of inspiration for contemporary oil painting creation in Inner Mongolia. For a long time, oil painting art creation with grassland culture as the theme has emerged one after another. Its unique regional cultural characteristics have expanded the depth and breadth of oil painting creation, and are the endogenous driving force for contemporary oil painting creation in Inner Mongolia. For reference, this article focuses on grassland culture and explores the significance, value, influence, and development of grassland culture in contemporary oil painting creation in Inner Mongolia.

Hou Y, 2021, Research on Inner Mongolia Grassland Theme Oil Painting Creation. Inner Mongolia University, 2021(6): 1–171.

Li J, 2022, The Transformation and Reconstruction of Traditional Art Elements in Inner Mongolia in Modern and Contemporary Oil Painting Creation. Southwest University for Nationalities, 2022(3): 1–49.

Zhang J, 2022, Simple and Brave–Reflections on the Winter Nadam Oil Painting Creation in Wuzhumu Banner, West China. Inner Mongolia Normal University, 2022(6): 1–16.

Bao Y, 2022, The Influence of Grassland Culture on Inner Mongolia Oil Painting Art Creation. Art Research, 2022(8): 123.

Zhou H, 2022, The Role and Significance of Mongolian Horses in Inner Mongolia Oil Painting Creation. Beauty and Times (Part 2), 2022(3): 80–82.

Wu Y, 2022, Research on the Application of Grassland Culture in Oil Painting Creation. Border Economy and Culture, 2022(5): 115–116.