<?xml version="1.1" encoding="utf-8"?>
<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">IEF</journal-id><journal-title-group><journal-title>International Education Forum</journal-title></journal-title-group><issn>3083-4902</issn><eissn>2981-8605</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26689/ief.v3i2.9630</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>A Multimodal Critical Discourse Analysis of Lingnan Cultural Promotional Videos by Official Institutions and Influencers on Social Media</title><url>https://artdesignp.com/journal/IEF/3/2/10.26689/ief.v3i2.9630</url><author>JiangLu</author><pub-date pub-type="publication-year"><year>2025</year></pub-date><volume>3</volume><issue>2</issue><history><date date-type="pub"><published-time>2025-03-12</published-time></date></history><abstract>This study analyzes Lingnan cultural promotional videos published by official institutions with and without streamers, influencers with and without streamers on social media on the theme of natural scenery and cityscape, historical stories of Lingnan culture, cuisine, folklore, and spring festival customs by the method of multimodal critical discourse analysis. This study also explores the differences in the communication effect of these videos by the method of corpus linguistics. The research results reveal that official videos of natural scenery and cityscapes without streamers use third-person narration and formal lexis, while influencer videos adopt a more personal and emotional style. Official videos with streamers follow a structured, formal approach with guided hosts, while influencer videos are spontaneous and interactive. Unlike official institutions, influencers excel in storytelling about Lingnan culture. In videos of cuisine and customs, official institutions often feature public figures, while influencers engage local chefs or folk practitioners in casual Cantonese conversations. Official videos use scripted narration, while influencer videos focus on entertainment, creating an immersive, dynamic experience. This study not only contributes to the better dissemination of Lingnan culture but also provides a foundation for the construction of the “Cultural Bay Area” image, creating a harmonious and friendly cultural ecosystem and public opinion environment.</abstract><keywords/></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>Qiu S, 2023, The Integration of Lingnan Water Culture in Red Dance Art in the Context of Big Data. Applied Mathematics and Nonlinear Sciences, 9(1): 1–13.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B2" content-type="article"><label>2</label><element-citation publication-type="journal"><p>Liang G, Suwanthada P, 2024, A Short Video on the Culture of the Tanka Families in Guangxi, China in the Context of Cultural Tourism Integration, thesis, Mahasarakham University.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B3" content-type="article"><label>3</label><element-citation publication-type="journal"><p>Qin Y, Hui Y, Zhang J, 2023, A Study on the International Recognition and Innovation Communication of Chinese Traditional Culture — Taking the Influence of Lingnan Culture on Overseas Students in Guangzhou’s Universities in China as an Example. Chinese Studies, 12(4): 357–372.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B4" content-type="article"><label>4</label><element-citation publication-type="journal"><p>Lau SY, 2021, The Social Networks: The Arts of Gao Jianfu (1879–1951), thesis, The Chinese University of Hong Kong.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B5" content-type="article"><label>5</label><element-citation publication-type="journal"><p>Li S, 2024, Remaking a Global Cantonese Community with Television and Social Media. Vernon Press, Delaware.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B6" content-type="article"><label>6</label><element-citation publication-type="journal"><p>Zheng S, 2023, Safeguarding Food Heritage through Social Media? Between Heritagization and Commercialization. International Journal of Gastronomy and Food Science, 2023(31): 100678.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B7" content-type="article"><label>7</label><element-citation publication-type="journal"><p>Mak VSW, Poon AKY, 2024, Digital Activism and Citizenship: A Case Study of “Yellow” Food Influencers and Political Consumerism in Hong Kong. Food, Culture &amp; Society, 27(4): 1107–1125.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B8" content-type="article"><label>8</label><element-citation publication-type="journal"><p>Jiang L, 2024, A Multimodal Critical Discourse Analysis of Lingnan Cultural Promotional Videos on Social Media. Journal of Contemporary Educational Research, 8(4): 59-68.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B9" content-type="article"><label>9</label><element-citation publication-type="journal"><p>Machin D, Mayr A, 2012, Presenting Speech and Speakers: Quoting Verbs, in How to Do Critical Discourse Analysis: A Multimodal Introduction. Sage, Philadelphia.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B10" content-type="article"><label>10</label><element-citation publication-type="journal"><p>Feng D, 2012, Modeling Appraisal in Film: A Social Semiotic Approach, thesis, National University of Singapore.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B11" content-type="article"><label>11</label><element-citation publication-type="journal"><p>Feng D, 2016, Promoting Moral Values through Entertainment: A Social Semiotic Analysis of the Spring Festival Gala on China Central Television. Critical Arts 30(1): 87–101.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B12" content-type="article"><label>12</label><element-citation publication-type="journal"><p>Yu MHM, Feng D, Unsworth L, 2020, Infusing Pro-environmental Values in Science Education: A Multimodal Analysis of Ecology Animations for Children, in Innovations in Science Education and Technology. Springer, Cham, 55–74.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B13" content-type="article"><label>13</label><element-citation publication-type="journal"><p>Zhao R, 2021, A Social Semiotic Analysis of COVID-19 Public Service Advertisements in China. Advances in Social Science, Education and Humanities Research, 2021(559): 256–259.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B14" content-type="article"><label>14</label><element-citation publication-type="journal"><p>Wang Y, Feng D, 2021, History, Modernity, and City Branding in China: A Multimodal Critical Discourse Analysis of Xi’an’s Promotional Videos on Social Media. Social Semiotics, 33(2): 402–425.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B15" content-type="article"><label>15</label><element-citation publication-type="journal"><p>Lang L, 2024, The Asian Games and City Branding in China: Multimodal Critical Discourse Analysis of Hangzhou’s Promotional Videos on YouTube. Place Branding and Public Diplomacy, 2024(20): 504–516.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B16" content-type="article"><label>16</label><element-citation publication-type="journal"><p>Dong C, Xu X, Li W, et al., 2023, The Construction of Foshan Consumption Center City from the Perspective of Cultural and Tourism Integration. Scientific and Social Research, 5(6): 24–29.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B17" content-type="article"><label>17</label><element-citation publication-type="journal"><p>Ouyang Y, Bai X, Wang X, et al., 2025, Case Study on Cultural Industry Empowerment in Urban Renewal: A Focus on Guangzhou, China. Sustainability, 17(2): 439.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B18" content-type="article"><label>18</label><element-citation publication-type="journal"><p>Chen X, 2022, Exploring the Translation–development Interactions from an Emergent Semiotic Perspective: A Case Study of the Greater Bay Area, China. Linguistica Antverpiensia, New Series–Themes in Translation Studies, 2022(21): 85–105.</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
