<?xml version="1.1" encoding="utf-8"?>
<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">IEF</journal-id><journal-title-group><journal-title>International Education Forum</journal-title></journal-title-group><issn>3083-4902</issn><eissn>2981-8605</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26689/ief.v3i5.10215</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>Singing Breathing Techniques in 2nd-Grade Primary School Music: A Study Using “The Sea”</title><url>https://artdesignp.com/journal/IEF/3/5/10.26689/ief.v3i5.10215</url><author>KwongJunchao</author><pub-date pub-type="publication-year"><year>2025</year></pub-date><volume>3</volume><issue>5</issue><history><date date-type="pub"><published-time>2025-06-05</published-time></date></history><abstract>Under the guidance of the new curriculum standards, teachers should facilitate second-grade students’ music learning by enabling them to engage with and experience music more effectively during class. Singing constitutes a vital component of the curriculum at this academic stage, allowing students to experience the aesthetic value of music through active participation in singing activities. However, when second-grade students perform and sing songs they are more proficient in, they tend to express the music by shouting. When a teacher advises controlling the volume, students may inadvertently breathe too shallowly. This can lead to shorter note durations and a lack of coherence in phrasing, thereby hindering the ability to fully express the music and personally experience its beauty. Therefore, this article selects the piece “The Sea” from the second-grade lower-semester curriculum as an example for analysis. It integrates the teaching of singing respiration into the second-grade music classroom and applies it to this work, thereby enhancing students’ musical aesthetic sensibility and expressive capabilities, enabling a more profound interpretation of the piece, and allowing students to derive joy from their musical experiences.</abstract><keywords/></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>Ministry of Education of the People’s Republic of China, 2022, Compulsory Education Art Curriculum Standards (2022 Edition). Beijing Normal University Press, Beijing.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B2" content-type="article"><label>2</label><element-citation publication-type="journal"><p>Devi KR, 2021, Importance of Proper Breathing in Singing. ShodhKosh: Journal of Visual and Performing Arts, 2(2): 67–71. https://doi.org/10.29121/shodhkosh.v2.i2.2021.39</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B3" content-type="article"><label>3</label><element-citation publication-type="journal"><p>Yang F, 2009, On the Vocalization Principle of Singing. Popular Art, 2009(14): 22–23. https://doi.org/10.20112/j.cnki.issn1007-5828.2009.14.016</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
