<?xml version="1.1" encoding="utf-8"?>
<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">IEF</journal-id><journal-title-group><journal-title>International Education Forum</journal-title></journal-title-group><issn>3083-4902</issn><eissn>2981-8605</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26689/ief.v3i7.11550</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>Research on the Integrated Teaching of Piano Performance and Piano Accompaniment</title><url>https://artdesignp.com/journal/IEF/3/7/10.26689/ief.v3i7.11550</url><author>LiShang</author><pub-date pub-type="publication-year"><year>2025</year></pub-date><volume>3</volume><issue>7</issue><history><date date-type="pub"><published-time>2025-08-07</published-time></date></history><abstract>Piano performance and piano accompaniment, as two brilliant pearls in the modern music education system, are playing an increasingly important role in piano teaching at colleges and universities. The integrated teaching of piano performance and piano accompaniment is of far-reaching significance for improving students’ comprehensive abilities, deepening their understanding and perception of music, and cultivating their practical skills and social adaptability. However, at present, some colleges and universities have the problem that piano performance teaching and piano accompaniment teaching are separated from each other, which may have an adverse impact on the overall effect of piano teaching. Based on this, this paper first briefly expounds the differences between piano performance teaching and piano accompaniment teaching, and then deeply analyzes the importance of the integrated teaching of piano performance and piano accompaniment. On this basis, it summarizes and puts forward effective strategies for the integrated teaching of piano performance and piano accompaniment, aiming to provide new ideas and innovative methods for the reform of piano education in colleges and universities and promote the overall improvement of piano teaching quality.</abstract><keywords/></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>Liu Y, 2025, Teaching Strategies for Integrating Piano Performance and Piano Accompaniment. Drama Home, 2025(5): 111–113.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B2" content-type="article"><label>2</label><element-citation publication-type="journal"><p>Xie T, 2022, An Analysis of the Integrated Teaching of Piano Performance and Piano Accompaniment in Universities. Speed Reading, 2022(19): 16–18.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B3" content-type="article"><label>3</label><element-citation publication-type="journal"><p>Wei JJ, 2020, Effective Integration of Piano Performance and Piano Accompaniment Teaching in Colleges and Universities. Grand View, 2020(3): 111–112.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B4" content-type="article"><label>4</label><element-citation publication-type="journal"><p>Wu Y, 2019, Organic Integration of Piano Performance and Piano Accompaniment Teaching in Colleges and Universities. Literature and Art Life (Later Issue), 2019(12): 217.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B5" content-type="article"><label>5</label><element-citation publication-type="journal"><p>Dai XM, 2021, Analysis on the Integration of Piano Performance and Piano Accompaniment Teaching in Colleges and Universities. Comparative Study of Cultural Innovation, 5(13): 74–77.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B6" content-type="article"><label>6</label><element-citation publication-type="journal"><p>Sun YM, 2020, Organic Integration of Piano Performance and Piano Accompaniment Teaching in Colleges and Universities. Shen Hua (Flower Reference), 2020(10): 146.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B7" content-type="article"><label>7</label><element-citation publication-type="journal"><p>Gao YL, 2020, Teaching Analysis on the Combination of Piano Performance and Piano Accompaniment in Colleges and Universities. Encyclopedia Forum Electronic Magazine, 2020(14): 1000.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B8" content-type="article"><label>8</label><element-citation publication-type="journal"><p>Dai AP, 2019, Exploration on the Organic Integration of Piano Performance and Piano Accompaniment Teaching. Art Panorama, 2019(25): 274.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B9" content-type="article"><label>9</label><element-citation publication-type="journal"><p>Yue BL, Su R, 2018, A Brief Analysis of the Integration of Piano Improvisational Accompaniment and Piano Teaching. Comparative Study of Cultural Innovation, 2(1): 54–56.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B10" content-type="article"><label>10</label><element-citation publication-type="journal"><p>Gong Y, 2022, Thoughts on Piano Accompaniment Skills Teaching—A Review of “Practice and Innovation of Piano Performance and Accompaniment Skills in Teaching”. Journal of The Chinese Society of Education, 2022(7): 43.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B11" content-type="article"><label>11</label><element-citation publication-type="journal"><p>Dong S, 2025, Teaching Research on the Combination of Piano Performance and Piano Accompaniment in Colleges and Universities. Journal of Jiamusi Vocational Institute, 41(3): 43–45.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B12" content-type="article"><label>12</label><element-citation publication-type="journal"><p>Sun DH, 2021, Research on Piano Performance and Piano Accompaniment Teaching in Colleges and Universities. Drama Home, 2021(1): 92–93.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B13" content-type="article"><label>13</label><element-citation publication-type="journal"><p>Xu Q, 2018, Research on Teaching Methods Combining Piano Performance and Piano Accompaniment in Ordinary Colleges and Universities. Contemporary Music, 2018(1): 36–37.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B14" content-type="article"><label>14</label><element-citation publication-type="journal"><p>Liu X, 2022, Preliminary Study on Teaching Methods Combining Piano Performance and Piano Accompaniment in Colleges and Universities. Science &amp; Education Guide — Electronic Edition (Later Issue), 2022(3): 213–214.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B15" content-type="article"><label>15</label><element-citation publication-type="journal"><p>Guo YB, 2017, On the Teaching of Combining Piano Performance and Piano Accompaniment in Ordinary Colleges and Universities. Charming China, 2017(16): 194–195.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B16" content-type="article"><label>16</label><element-citation publication-type="journal"><p>Shao J, 2017, Research on Teaching Methods Combining Piano Performance and Piano Accompaniment in Ordinary Colleges and Universities. Northern Music, 37(9): 103–104.</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
