<?xml version="1.1" encoding="utf-8"?>
<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">IEF</journal-id><journal-title-group><journal-title>International Education Forum</journal-title></journal-title-group><issn>3083-4902</issn><eissn>2981-8605</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26689/ief.v4i1.13884</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>Observe Stylistic Vitality from Afar, Refine Filling in Detail — Implementation of Artistic Principles in Ancient Sculpture Restoration</title><url>https://artdesignp.com/journal/IEF/4/1/10.26689/ief.v4i1.13884</url><author>LiuTianlong</author><pub-date pub-type="publication-year"><year>2026</year></pub-date><volume>4</volume><issue>1</issue><history><date date-type="pub"><published-time>2026-02-12</published-time></date></history><abstract>China’s cultural relic protection started in the 1950s, with established scientific principles including minimum intervention, reversibility, re-treatability, and recognizability. However, artistic protection still depends on restorers’ personal competence, leading to damage from poor restoration. Focusing on ancient Chinese painted sculptures, this paper proposes the artistic restoration principle “Observe Stylistic Vitality from Afar, Refine Filling in Detail” based on scientific rules, aiming to optimize preservation methodologies.</abstract><keywords/></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>Dong XL, Wang Y, 2013, Major Archaeological Discoveries at the Upper Capital City of the Liao Dynasty: Identification of a Buddhist Temple Site on the West Slope of the Imperial City. Kaogu (Archaeology), 2013(1): 3–6.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B2" content-type="article"><label>2</label><element-citation publication-type="journal"><p>He H, 2025, Thoughts on the Restoration of the Thousand-Handed Guanyin of Dazu Rock Carvings. The Official WeChat Account of the School of Art Management and Education, China Academy of Art, https://mp.weixin.qq.com/s?biz=MzI5ODA3Mzc4Mw==&amp;mid=2653375052&amp;idx=1&amp;sn=538c7600867401ef0b9f92c579d0f71b&amp;chksm=f7788194c00f08822b21898f56611f8d039768ff5bccf0b91a4d04b8fe04497c8769b28764c4&amp;scene=27</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B3" content-type="article"><label>3</label><element-citation publication-type="journal"><p>Zhang W, 2022, Conveying Ideals Through Sculptural Works: A Brief Analysis of the Form Concept of Traditional Chinese Sculptors and Their Sculptures. China National Arts and Crafts Society, https://www.cnacs.net.cn/14/202208/4149.html</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
