<?xml version="1.1" encoding="utf-8"?>
<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">IEF</journal-id><journal-title-group><journal-title>International Education Forum</journal-title></journal-title-group><issn>3083-4902</issn><eissn>2981-8605</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26689/ief.v4i3.14397</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>A Study on the Integration of Traditional Techniques and Contemporary Fashion Aesthetics in the Creation of Ski-Themed Copperplate Engraving</title><url>https://artdesignp.com/journal/IEF/0/0/10.26689/ief.v4i3.14397</url><author>LinJianing</author><pub-date pub-type="publication-year"><year>2026</year></pub-date><volume>0</volume><issue>0</issue><history><date date-type="pub"><published-time>2026-04-17</published-time></date></history><abstract>Northeast China, with its unique ice and snow resources and ski culture, provides abundant themes and materials for the creation of copperplate engravings. The inheritance of traditional copperplate engraving techniques and their adaptation to contemporary fashion aesthetics have become the core proposition for the innovative development of artistic creation with regional themes. Taking ski-themed copperplate engravings as the research object, this paper first sorts out the artistic value of Northeast China’s ski culture and the core types of traditional copperplate engraving techniques, then analyzes the influence dimensions of contemporary fashion aesthetics on the creation of ski-themed copperplate engravings, focuses on exploring the integration paths of traditional copperplate engraving techniques and contemporary fashion aesthetics in creation, and finally summarizes the practical significance of integrated creation for the inheritance of regional art, the innovation of copperplate engraving art and the dissemination of ice and snow culture. It is intended to provide theoretical reference and practical direction for the creation of copperplate engravings with regional characteristics.</abstract><keywords/></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>Ren HH, 2022, Printmaking Narratives of Ice and Snow Sports from Ancient to Modern Times: From Qing Dynasty “Ice Games” to the Winter Olympics. Ice and Snow Sports, 2022(2): 97–102</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B2" content-type="article"><label>2</label><element-citation publication-type="journal"><p>Tao R, 2016, The Unique Aesthetic Value of “Points, Lines, and Planes” in Copperplate Engraving. Art Ocean, 2016(2): 112–113.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B3" content-type="article"><label>3</label><element-citation publication-type="journal"><p>Zhao CX, 2022, A Preliminary Analysis of the Spatial Expression of Steam Wave Artistic Language in Copperplate Print Creation. Tomorrow Fashion (Mid-Term Issue), 2022(8): 154–156.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B4" content-type="article"><label>4</label><element-citation publication-type="journal"><p>Xu BZ, Wang JZ, 2019, The Language Expansion and Aesthetic Turn of Contemporary China Copperplate Prints. Journal of Tianjin Academy of Fine Arts, 2019(3): 48–52.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B5" content-type="article"><label>5</label><element-citation publication-type="journal"><p>Wei Q, 2005, The Historical Transcendence and Contemporary Innovation of China’s Copperplate Prints. Art Research, 2005(2): 73–75.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B6" content-type="article"><label>6</label><element-citation publication-type="journal"><p>Chen CX, Yang XX, 2021, A Brief Discussion on the Role of Technological Innovation in Copperplate Print Creation. Shanhaijing: Education Frontiers, 2021(12): 116–118.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B7" content-type="article"><label>7</label><element-citation publication-type="journal"><p>Wang WX, 2008, Copperplate Art. People’s Fine Arts Publishing House, Beijing.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B8" content-type="article"><label>8</label><element-citation publication-type="journal"><p>Jie J, 2020, Application of Copperplate Engraving Techniques in Creation. Art Market, 2020(7): 124–125.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B9" content-type="article"><label>9</label><element-citation publication-type="journal"><p>Song GZ, 2026, Narrative Reconstruction and Spiritual Continuity: An Academic Observation of the “26th Printmaking Exhibition”. Art Observation, 2026(2): 98–101.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B10" content-type="article"><label>10</label><element-citation publication-type="journal"><p>Yan LL, Liu YK, 2021, Regional Culture and Realistic Concerns: Multidimensional Narratives of “Snow and Ice” Themed Woodcuts in Northeast China. Journal of Jilin Arts Institute, 2021(1): 66–70.</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
