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<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">JARD</journal-id><journal-title-group><journal-title>Journal of Architectural Research and Development</journal-title></journal-title-group><issn>2208-3529</issn><eissn>2208-3537</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26689/jard.v10i2.14419</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>Research on the Transformation and Application of Intangible Cultural Heritage Visual Symbols in Modern Aesthetic Education</title><url>https://artdesignp.com/journal/JARD/10/2/10.26689/jard.v10i2.14419</url><author>HuXiaoyang</author><pub-date pub-type="publication-year"><year>2026</year></pub-date><volume>10</volume><issue>2</issue><history><date date-type="pub"><published-time>2026-04-06</published-time></date></history><abstract>As a concrete carrier of China’s outstanding traditional culture, intangible cultural heritage (ICH) visual symbols hold dual values of formal aesthetics and cultural expression, and serve as a core resource for constructing aesthetic education with regional characteristics. Hainan’s ICH items, such as Li brocade, Li pottery, and coconut carving, have fostered highly recognizable visual symbols like the Hercules pattern, frog pattern, and Gangong bird pattern. These symbols embody the craftsmanship wisdom and aesthetic ideals of the Li ethnic ancestors, providing unique resources for localized aesthetic education. Taking Hainan’s ICH as a case study, this paper addresses the existing problems in integrating ICH visual symbols into aesthetic education—including superficiality, formalism, and insufficient exploration of regional connotations. It defines the connotative scope and aesthetic education value of ICH visual symbols, analyzes their transformation logic and core principles, and ultimately offers a referential paradigm for local ICH-oriented aesthetic education.</abstract><keywords/></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>Zhang L, 2025, Innovative Application of Intangible Cultural Heritage Elements in Visual Design of Cultural and Creative Products. Art Panorama, 2025(32): 22–24.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B2" content-type="article"><label>2</label><element-citation publication-type="journal"><p>Diao T, 2024, Youth Issues in Chinese Modern Aesthetic Education Thought and Their Contemporary Enlightenment. Dongyue Trib, 45(8): 90–95.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B3" content-type="article"><label>3</label><element-citation publication-type="journal"><p>Du W, 2023, Enlightenment of Modern Aesthetic Education Concept on Chinese Education. Res High Educ Eng, 2023(6): 105–110.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B4" content-type="article"><label>4</label><element-citation publication-type="journal"><p>Chen K, 2025, Protection and Dissemination of Intangible Cultural Heritage of Traditional Crafts in Hainan Under Free Trade Port Background. Cult Ind, 2025(24): 157–159.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B5" content-type="article"><label>5</label><element-citation publication-type="journal"><p>Zhou J, Wang X, Qiu H, et al., 2025, Digital Technology Empowering Intergenerational Inheritance and Innovation of Intangible Cultural Heritage: A Case Study of Hainan Li Brocade. West Leather, 47(15): 35–38.</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
