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<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">JCER</journal-id><journal-title-group><journal-title>Journal of Contemporary Educational Research</journal-title></journal-title-group><issn>2208-8466</issn><eissn>2208-8474</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26689/jcer.v10i7.15722</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>A Study on the Translation Strategies of Miao Embroidery Visual Symbols from the Perspective of Intercultural Communication</title><url>https://artdesignp.com/journal/JCER/10/7/10.26689/jcer.v10i7.15722</url><author>WangRui</author><pub-date pub-type="publication-year"><year>2026</year></pub-date><volume>10</volume><issue>7</issue><history><date date-type="pub"><published-time>2026-08-05</published-time></date></history><abstract>Amid globalization, culturally rich traditional ethnic visual symbols often face semantic dilution or misinterpretation in cross-cultural communication. Focusing on the butterfly motifs of Miao embroidery, this study investigates how visual translation design can enhance the cross-cultural comprehensibility of ethnic symbols while preserving their cultural authenticity. Through literature review and theoretical analysis, the study integrates semiotics and cross-cultural communication theories to construct a three-stage analytical framework: “symbolic decoding–cross-cultural analysis–principle induction.” Based on this framework, the paper proposes three specific translation principles—visual simplification, cultural semantic reconstruction, and contextualized communication—alongside a systematic translation framework. While the three principles address specific communication barriers at the levels of visual form, cultural meaning, and communication context, the framework integrates them into a progressive operational path: “visual form optimization–cultural semantic reconstruction–communication context adaptation.” Ultimately, this framework not only applies to Miao embroidery but also provides a theoretical and design reference for the cross-cultural communication of other traditional ethnic visual symbols rooted in specific cultural contexts.</abstract><keywords/></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>Zhang S, 2016, Research on the Strategy of Chinese Culture Going Global from the Perspective of Intercultural Communication, dissertation, Hebei Normal University.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B2" content-type="article"><label>2</label><element-citation publication-type="journal"><p>Shi J, 2010, A Study on Cross-Cultural Communication of Visual Symbols, dissertation, South China University of Technology.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B3" content-type="article"><label>3</label><element-citation publication-type="journal"><p>Dong T, 2025, Research on the Inheritance and Development Path of Guizhou Miao Embroidery Patterns. 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