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<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">JCER</journal-id><journal-title-group><journal-title>Journal of Contemporary Educational Research</journal-title></journal-title-group><issn>2208-8466</issn><eissn>2208-8474</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26689/jcer.v5i12.2818</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>The Conflict of Realism and Surrealism in Anime Movies – Taking the Works of Hayao Miyazaki as Examples</title><url>https://artdesignp.com/journal/JCER/5/12/10.26689/jcer.v5i12.2818</url><author>GongXianfeng,LiBin</author><pub-date pub-type="publication-year"><year>2021</year></pub-date><volume>5</volume><issue>12</issue><history><date date-type="pub"><published-time>2021-12-27</published-time></date></history><abstract>Anime movie is a branch of cinematics. Unlike traditional movies, anime movies stand out with special characteristics in terms of how they shape the personality of the characters and how they portray the inner world of those characters. “Realism” and “surrealism” are important elements in anime movies to portray the stories. In this article, the special aesthetic of anime movies is analyzed using the works produced by Hayao Miyazaki. The internal conflict between “realism” and “surrealism” is analyzed in order to understand the character image and story theme in an in-depth manner.</abstract><keywords/></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>Breuer L, 1981, Primitive Thinking [Ding Y, Trans.], The Commercial Press, Beijing, 28.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B2" content-type="article"><label>2</label><element-citation publication-type="journal"><p>Tang Z, 2010, Expansion, Reconstruction and Watch – Reflection on the “Authenticity” of Animated Films in the Digital Context. One Hundred Arts 2010(A01): 274-276.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B3" content-type="article"><label>3</label><element-citation publication-type="journal"><p>Lessing, 1982, Laocoon, People’s Literature Press, 79.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B4" content-type="article"><label>4</label><element-citation publication-type="journal"><p>Tong Q, 2004, The Unique Aesthetic Field of Literature and the Entrance to Literature – A Dialogue with the Literary Finalists, The Final Conclusion of Art, China Social Science Press, 189.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B5" content-type="article"><label>5</label><element-citation publication-type="journal"><p>Miller H, 2001, Will Literary Studies Continue to Exist in the Age of Globalization?. The Literary Review, 1.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B6" content-type="article"><label>6</label><element-citation publication-type="journal"><p>Cassire E, 1988, Language and Myth, Sanlian Bookstore, Beijing, 186.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B7" content-type="article"><label>7</label><element-citation publication-type="journal"><p>Field S, 2002, The Foundations of Screenwriting [Bao Y, Zhong D, Trans.], China Film Press.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B8" content-type="article"><label>8</label><element-citation publication-type="journal"><p>Nie F, 2005, A Study of Hayao Miyazaki’s Anime Movies, Wuhan University Press, 9-13.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B9" content-type="article"><label>9</label><element-citation publication-type="journal"><p>Nie X, 2003, The Disney Complex of Hayao Miyazaki’s Animated Films, Meng Jian, Conflict-Harmony, Globalization and Asian Film and Television, Fudan University Press, 223.</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
