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<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">JCER</journal-id><journal-title-group><journal-title>Journal of Contemporary Educational Research</journal-title></journal-title-group><issn>2208-8466</issn><eissn>2208-8474</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26689/jcer.v5i7.2307</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>A New Breakthrough of Film Propaganda in the Context of New Media – Taking the Hong Kong Film “Shock Wave 2” as an Example</title><url>https://artdesignp.com/journal/JCER/5/7/10.26689/jcer.v5i7.2307</url><author>DengKen</author><pub-date pub-type="publication-year"><year>2021</year></pub-date><volume>5</volume><issue>7</issue><history><date date-type="pub"><published-time>2021-07-29</published-time></date></history><abstract>After the release of “Shock Wave 2,” the box office far surpassed the first film “Shock Wave 1.” In addition to improving the quality of the narrative content, it is more important to promote the film in the context of new media. Many new breakthroughs have been made. The film combined the advantages of new media in its propaganda orientation and has achieved a better propaganda effect than the traditional propaganda. Therefore, investigating the use of new media in “Shock Wave 2” and in finding places that can be used for reference based on successful experiences, they will have certain enlightenment for further successful dissemination of Hong Kong police films and even Chinese films in the future.</abstract><keywords/></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>Data sources: The Promotional Effect Data of Weibo, Douyin, and Wechat All Come from the Maoyan Professional App data.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B2" content-type="article"><label>2</label><element-citation publication-type="journal"><p>Zhang GL, 2017, Principles of Communication, Fudan University Press, 234.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B3" content-type="article"><label>3</label><element-citation publication-type="journal"><p>Peng L, 2019, Connection and Anti-Connection: The Swing of Internet Laws. International Press, (2): 23.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B4" content-type="article"><label>4</label><element-citation publication-type="journal"><p>Jiang S, 2021, Innovation and Trend of Film Publicity and Distribution Mode with Streaming Media Participation – Taking the Spring Festival as an Example. Contemporary Cinema, (4): 15.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B5" content-type="article"><label>5</label><element-citation publication-type="journal"><p>John S, 2019, Introduction to Cultural Theory and Popular Culture [Chang J, Trans.], Peking University Press, 157.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B6" content-type="article"><label>6</label><element-citation publication-type="journal"><p>Deng K, 2021, Research on the Communication of “Line Walker 3” Under Media Convergence. News Lover, (3): 86.</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
