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<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">JCER</journal-id><journal-title-group><journal-title>Journal of Contemporary Educational Research</journal-title></journal-title-group><issn>2208-8466</issn><eissn>2208-8474</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26689/jcer.v5i9.2531</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>Spiritual Inheritance: A Case Study of Henan Opera</title><url>https://artdesignp.com/journal/JCER/5/9/10.26689/jcer.v5i9.2531</url><author>WangXiao</author><pub-date pub-type="publication-year"><year>2021</year></pub-date><volume>5</volume><issue>9</issue><history><date date-type="pub"><published-time>2021-09-30</published-time></date></history><abstract>Despite many scholarly debates on Chinese opera, the study of how opera hit rock bottom remains scarce. Therefore, this article addresses this reason through a case study of Henan Opera. Informed by a systematic approach, there have been various improvements, good and bad criticisms, as well as affirmations in regard to opera. The lack of the Chinese opera spirit is the root of the difficulties in the development of Chinese opera.</abstract><keywords/></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>Quanyou SU, Liu Z, 2013, Review of the Modern History of Henan Opera Since the Founding of New China. Journal of Zhoukou Normal University, (01): 110-117.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B2" content-type="article"><label>2</label><element-citation publication-type="journal"><p>Yang JT, 2010, The Innovation of the Mode of Liyuanchun to Chinese Traditional Opera. Journal of Kaifeng Institute of Education, 30(001): 74-76.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B3" content-type="article"><label>3</label><element-citation publication-type="journal"><p>Rao NY, 2018, Inside Chinese Theatre: Cantonese Opera in Canada. Intersections, 38(1-2), 81-104. https://doi.org/10.7202/1071675ar</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B4" content-type="article"><label>4</label><element-citation publication-type="journal"><p>Wang Q, 2015, Research on Male Dan in Chinese Peking Opera and Castrato in Italian Opera. International Conference on Economics, : 78-82.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B5" content-type="article"><label>5</label><element-citation publication-type="journal"><p>Huang W, 2011, “Entertainment” and “Enlightenment”: The Dual Role of Henan Local Opera during the Reform in the Republic of China Period. Journal of National Museum of China, (06): 134-141.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B6" content-type="article"><label>6</label><element-citation publication-type="journal"><p>Liu M, 2013, The Development Characteristics and Analysis of Dilemma of Henan Opera. Journal of Henan Mechanical and Electrical Engineering College, 000(002): 70-73.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B7" content-type="article"><label>7</label><element-citation publication-type="journal"><p>Cheng G, 2017, Expounding the Reform and Practice of Henan Opera by Fan Cuiting. Journal of Lingnan Normal University, (2): 110-115.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B8" content-type="article"><label>8</label><element-citation publication-type="journal"><p>Pei DU, 2006, On the Vocal Charm of Chang Xiangyu’s Henan Opera Arias. Humanities &amp; Social Sciences Journal of Hainan University, 024(001): 129-133.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B9" content-type="article"><label>9</label><element-citation publication-type="journal"><p>Yang JT, 2010, The Innovation of the Mode of Liyuanchun to Chinese Traditional Opera. Journal of Kaifeng Institute of Education, 30(001): 74-76.</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
