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<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">JCER</journal-id><journal-title-group><journal-title>Journal of Contemporary Educational Research</journal-title></journal-title-group><issn>2208-8466</issn><eissn>2208-8474</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26689/jcer.v6i12.4611</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>Art and Life of Manchu Paper-Cut Artist Ni Youzhi</title><url>https://artdesignp.com/journal/JCER/6/12/10.26689/jcer.v6i12.4611</url><author>Lin Tong</author><pub-date pub-type="publication-year"><year>2022</year></pub-date><volume>6</volume><issue>12</issue><history><date date-type="pub"><published-time>2022-12-27</published-time></date></history><abstract>The advice to “disclose the family business to no one” has remained in my mind for a long time. It influenced how I perceived the works of Ni Youzhi, a paper-cut artist, which are shrouded in mystery and marked with her family’s hue. I certainly feel proud and understand the sense of mission for this inheritance that has been passed down from generation to generation [2]. However, her Manchu paper-cut changed dramatically over time despite my best efforts to preserve this “heirloom” [3]. Looking back on her journey of creation, her trajectory of inheritance, creation, transformation, and regression was marked clearly.</abstract><keywords/></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>Feng J, 2009, Collection of Chinese Folk Paper Cutting – West Henan Volume, Hebei Education Press, Hebei.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B2" content-type="article"><label>2</label><element-citation publication-type="journal"><p>Feng J, 2009, Collection of Chinese Folk Paper Cutting – North Henan Volume, Hebei Education Press, Hebei.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B3" content-type="article"><label>3</label><element-citation publication-type="journal"><p>Feng J, 2009, Collection of Chinese Folk Paper Cutting – Yiwulv Mountain Volume, Hebei Education Press, Hebei.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B4" content-type="article"><label>4</label><element-citation publication-type="journal"><p>Feng J, 2009, Collection of Chinese Folk Paper Cutting – West Henan Volume, Hebei Education Press, Hebei.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B5" content-type="article"><label>5</label><element-citation publication-type="journal"><p>Feng J, 2009, Collection of Chinese Folk Paper Cutting – Weixian Volume, Hebei Education Press, Hebei.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B6" content-type="article"><label>6</label><element-citation publication-type="journal"><p>Feng J, 2009, Collection of Chinese Folk Paper Cutting – HuXiang Volume, Hebei Education Press, Hebei.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B7" content-type="article"><label>7</label><element-citation publication-type="journal"><p>Qiao X, 2004, Life and Art of Inheritors of Chinese Folk Paper Cutting Genius, Shanxi People’s Publishing House, Shaanxi.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B8" content-type="article"><label>8</label><element-citation publication-type="journal"><p>Qiao X, 2010, Empty Flowers: Research and Creation on Paper Cutting, Shandong Fine Arts Publishing House, Shandong.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B9" content-type="article"><label>9</label><element-citation publication-type="journal"><p>Wang J, Wang C, 2004, Research on Shaman Paper Cutting, Times Literature and Art Publishing House, Jilin.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B10" content-type="article"><label>10</label><element-citation publication-type="journal"><p>Wang C, Yin G, 2000, Jilin Folk Art, Jilin Art Publishing House, Jilin.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B11" content-type="article"><label>11</label><element-citation publication-type="journal"><p>Guo SY, Wang QG, 2001, The Living Shaman, Liaoning Fine Arts Publishing House, Liaoning.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B12" content-type="article"><label>12</label><element-citation publication-type="journal"><p>Su RT, 2000, Primitive Art of Hunting Nationalities, Inner Mongolia Culture Press, Inner Mongolia.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B13" content-type="article"><label>13</label><element-citation publication-type="journal"><p>Liu B, 2011, Research on the Symbol Configuration of Folk Arts Modeling in Commercial Propaganda. 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