<?xml version="1.1" encoding="utf-8"?>
<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">JCER</journal-id><journal-title-group><journal-title>Journal of Contemporary Educational Research</journal-title></journal-title-group><issn>2208-8466</issn><eissn>2208-8474</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26689/jcer.v8i9.8409</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>Application of Chinese Ethnic Minority Themes in Contemporary Figurative Sculpture Creation</title><url>https://artdesignp.com/journal/JCER/8/9/10.26689/jcer.v8i9.8409</url><author>ZhangWenxian</author><pub-date pub-type="publication-year"><year>2024</year></pub-date><volume>8</volume><issue>9</issue><history><date date-type="pub"><published-time>2024-09-30</published-time></date></history><abstract>In the field of contemporary sculpture creation, the rich culture and historical depth of Chinese ethnic minorities have attracted the widespread attention of artists. These creations not only emphasize external features such as ethnic costumes, totems, or life scenes but also touch deep spiritual contents including historical stories, religious beliefs, and living habits of ethnic minorities. This paper discusses the integration process of Chinese ethnic minority themes in figurative sculpture creation and the inheritance of the profound spirit of ethnic groups in this process. At the same time, this paper also places the diversified expression and innovative practice of these themes in sculpture art in the context of the new era for investigation and explores the far-reaching influence of its development on promoting cultural inheritance and artistic innovation.</abstract><keywords/></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>Xu F, 2023, Chinese Artistic Spirit, Liaoning People’s Publishing House, Shenyang.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B2" content-type="article"><label>2</label><element-citation publication-type="journal"><p>Sun Z, 2002, Sculpture Space, Hunan Fine Arts Publishing House, Changsha.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B3" content-type="article"><label>3</label><element-citation publication-type="journal"><p>Sun Z, 2018, History of Contemporary Chinese Sculpture, China Youth Publishing House, Beijing.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B4" content-type="article"><label>4</label><element-citation publication-type="journal"><p>Sun Z, 1994, History of Chinese sculpture, China Academy of Fine Arts Press, Hangzhou.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B5" content-type="article"><label>5</label><element-citation publication-type="journal"><p>Jing X, 2021, A Brief Discussion on the Creation of National Theme in the Perspective of Chinese Contemporary Sculpture. Sculpture, (03): 66–67.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B6" content-type="article"><label>6</label><element-citation publication-type="journal"><p>Zhang M, 2010, Deconstruction and Combination of Cultural Elements of Guangxi Ethnic Minorities and Modern Sculpture. Grand View of Fine Arts, (09): 190–191.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B7" content-type="article"><label>7</label><element-citation publication-type="journal"><p>Pan Y, 2024, Introduction to the Community of the Chinese Nation, Higher Education Press, Beijing.</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
