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<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">PBES</journal-id><journal-title-group><journal-title>Proceedings of Business and Economic Studies</journal-title></journal-title-group><issn>2209-2641</issn><eissn>2209-265X</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26689/pbes.v4i6.2864</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>City Image Analysis of Food in Guangzhou – Taking Yamaha Fish Stall as an Example</title><url>https://artdesignp.com/journal/PBES/4/6/10.26689/pbes.v4i6.2864</url><author>ZhanZihua,LiRunting</author><pub-date pub-type="publication-year"><year>2021</year></pub-date><volume>4</volume><issue>6</issue><history><date date-type="pub"><published-time>2021-12-31</published-time></date></history><abstract>In the representation system of city image, food has become a huge influence in the process of city image construction. In the construction of “food as the sky” as the city image of Guangzhou, it includes three forms: prototype image, conceptual image, and symbol image. There are several differences in the three forms, and the myth of “eating in Guangzhou” is constructed in the specific visual practice.</abstract><keywords/></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>Chen Y, 2009, Concept Analysis and Theoretical Framework. The Press, 2009(05): 103-104, 118.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B2" content-type="article"><label>2</label><element-citation publication-type="journal"><p>Han Y, Liu Z, Pei X, 2021, The Construction of Urban Myth with Public Participation – Takes the Image Construction of Changsha in Xiaohongshu UGC Short Video as an Example. New Media Research, 7(19): 10-19.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B3" content-type="article"><label>3</label><element-citation publication-type="journal"><p>Tan H, 2019, Cultural Imagination – Takes Macao City Image Construction as an Example. Young Reporter, 2019(35): 97-98.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B4" content-type="article"><label>4</label><element-citation publication-type="journal"><p>Liu T, 2018, Imagery Theory: Image and Visual Speech Analysis. Journalism University, 2018(04): 1-9, 149.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B5" content-type="article"><label>5</label><element-citation publication-type="journal"><p>Tao S, 2008, Fish Culture, Southeast University Press, Nanjing.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B6" content-type="article"><label>6</label><element-citation publication-type="journal"><p>Marx KH, 1979, The 1844 Manuscript of Economic Philosophy, People’s Press House, Beijing.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B7" content-type="article"><label>7</label><element-citation publication-type="journal"><p>Zhou X, (eds) 2013, The Visual Culture Reader, Nanjing University Press.</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
