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<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">PBES</journal-id><journal-title-group><journal-title>Proceedings of Business and Economic Studies</journal-title></journal-title-group><issn>2209-2641</issn><eissn>2209-265X</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26689/pbes.v9i3.14582</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>A Probe into Kans’ Short Drama Marketing Strategies Under the New Media Context</title><url>https://artdesignp.com/journal/PBES/9/3/10.26689/pbes.v9i3.14582</url><author>DuTe</author><pub-date pub-type="publication-year"><year>2026</year></pub-date><volume>9</volume><issue>3</issue><history><date date-type="pub"><published-time>2026-04-16</published-time></date></history><abstract>Media integration and the digital wave have propelled the transformation of brand marketing strategies, with short drama marketing emerging as a novel communication paradigm. This paper focuses on the short drama marketing practices of Kans (the standardized English name for Han Shu), exploring its paths of value delivery and market breakthrough through content, channels, and user interaction. The study reveals that Kans has accurately seized opportunities in the micro-short drama industry. By relying on hit product-driven strategies, deep cultivation on Douyin, emotional narration, and key node marketing, the brand has achieved simultaneous growth in both brand voice and sales volume. However, it also faces challenges such as diminishing marginal benefits of short dramas, over-reliance on a single channel, and insufficient product competitiveness. This study provides practical references for the digital marketing of beauty brands. It also supplements a new perspective for academic research on short drama marketing.</abstract><keywords/></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>Ji P, Guo L, 2025, Development Course, Marketing Strategies and Content Selection of Online Short Dramas. News World, 2025(1): 82–85.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B2" content-type="article"><label>2</label><element-citation publication-type="journal"><p>Qi P, 2024, Research on Creation and Marketing Strategies of Short Dramas. Today’s Media, 32(7): 84–87.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B3" content-type="article"><label>3</label><element-citation publication-type="journal"><p>Chen M, Yin J, 2025, Analysis on Marketing Strategies of Short Dramas on Short Video Platforms from the Perspective of Value Chain. Media Convergence, 2025(3): 47–52.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B4" content-type="article"><label>4</label><element-citation publication-type="journal"><p>Li J, 2024, How Long can Kans’ Comeback Last? Southern Daily, October 25, 2024.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B5" content-type="article"><label>5</label><element-citation publication-type="journal"><p>Qin S, 2024, Analysis on Short Drama Marketing Strategies of Domestic Beauty Brands from the Perspective of 4I Theory. Laohaozi Pinpai Yingxiao, 2024(17): 6–8.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B6" content-type="article"><label>6</label><element-citation publication-type="journal"><p>Xu Q, 2022, Research on Marketing Model of Douyin Short Dramas under the Background of We-Media. Media Forum, 5(9): 44–46.</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
