<?xml version="1.1" encoding="utf-8"?>
<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">SSR</journal-id><journal-title-group><journal-title>Scientific and Social Research</journal-title></journal-title-group><issn>2661-4332</issn><eissn>2981-9946</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26689/ssr.v4i2.3619</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>Discussion on the Representation of Geo-Culture in Films in the Context of Modernity</title><url>https://artdesignp.com/journal/SSR/4/2/10.26689/ssr.v4i2.3619</url><author>IsrayilMerhaba</author><pub-date pub-type="publication-year"><year>2022</year></pub-date><volume>4</volume><issue>2</issue><history><date date-type="pub"><published-time>2022-02-17</published-time></date></history><abstract>In local film creation, creators often encounter the problem of how to coordinate geo-culture and modernity. In modern-day society, due to globalization, it is difficult to preserve the local traditional culture and lifestyle. Therefore, in film creation, the impact of modernity brought by globalization on local culture should not be overlooked.&amp;nbsp;</abstract><keywords/></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>Xiang Y, 2013, Image Construction of Cultural China and Its Contradiction: On the Chinese Imagination of Ang Lee’s Films. Journal of Shanghai University (Social Sciences Edition), 30(3): 48-59.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B2" content-type="article"><label>2</label><element-citation publication-type="journal"><p>Changliu C, 2020, That Familiar and Strange Guangzhou. Beijing Douwang Technology Co., Ltd. https://movie.douban.com/review/12157555/</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B3" content-type="article"><label>3</label><element-citation publication-type="journal"><p>Li M, 2013, Discussion on Frontier Imagination, Ethnic Identity and Cultural Construction in Yunnan Minority Films, Shanghai University.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B4" content-type="article"><label>4</label><element-citation publication-type="journal"><p>Dai J, 2016, Scenery in Fog: Chinese Film Culture 1978-1998, Peking University Press, Beijing, 187-189.</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
