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<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">SSR</journal-id><journal-title-group><journal-title>Scientific and Social Research</journal-title></journal-title-group><issn>2661-4332</issn><eissn>2981-9946</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26689/ssr.v4i6.4070</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>Analysis on the Reasons for the popularity of Tutash Taqdirler in Central Asia</title><url>https://artdesignp.com/journal/SSR/4/6/10.26689/ssr.v4i6.4070</url><author>AhmetNurimanguli</author><pub-date pub-type="publication-year"><year>2022</year></pub-date><volume>4</volume><issue>6</issue><history><date date-type="pub"><published-time>2022-06-20</published-time></date></history><abstract>After independence, Uzbek film and television is playing an important role in the restatement of historical memory, reconstruction of national identity, and reintegration into the global system. It focuses on local conditions and customs, and eulogizes beauty of human nature. In addition, it explains the changes of daily public life, the difficulties encountered in the process of modernity, and it is good at exploring the contemporary value of classical classics and realizing them effectively. This paper mainly analyzes the reasons for the popularity of the family drama Tutash Taqdiller (Fantastic Fate) in Uzbekistan.</abstract><keywords/></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>Zou Z, Sun Y, Central Asian Films Towards “Inter-Asian Films”: Drawing Uzbekistan Films, Xinjiang University College of Humanities, Southern Normal University for Nationalities.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B2" content-type="article"><label>2</label><element-citation publication-type="journal"><p>Zhou J, 2018, Uzbekistan: Country Overview, Dalian Maritime University Press.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B3" content-type="article"><label>3</label><element-citation publication-type="journal"><p>Wang J, 2010, Family Culture, People’s Publishing House.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B4" content-type="article"><label>4</label><element-citation publication-type="journal"><p>Wu H, 2015, New Silk Road and Central Asia-Central Asian National Traditional Social Structure and Traditional Culture, Social Sciences Literature Press.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B5" content-type="article"><label>5</label><element-citation publication-type="journal"><p>Yan Y, 2000, The flow of Gifts, Shanghai People’s Publishing House.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B6" content-type="article"><label>6</label><element-citation publication-type="journal"><p>Ainur A, 2020, The Ethnography of Social Life in Mahala: The Case of Uzbekistan, Peking University.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B7" content-type="article"><label>7</label><element-citation publication-type="journal"><p>Zhang N, 2012, Political and Economic Development of Uzbekistan after Independence, Shanghai University Press.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B8" content-type="article"><label>8</label><element-citation publication-type="journal"><p>Sun Z, Su C, Wu H, 2016, Uzbekistan, Social Sciences Literature Publishing House.</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
