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<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">SSR</journal-id><journal-title-group><journal-title>Scientific and Social Research</journal-title></journal-title-group><issn>2661-4332</issn><eissn>2981-9946</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26689/ssr.v5i8.5241</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>Research on the Mechanism of Music Perception  in the Perspective of Neuroscience</title><url>https://artdesignp.com/journal/SSR/5/8/10.26689/ssr.v5i8.5241</url><author>FangYun</author><pub-date pub-type="publication-year"><year>2023</year></pub-date><volume>5</volume><issue>8</issue><history><date date-type="pub"><published-time>2023-08-29</published-time></date></history><abstract>Music Perception and creation is a complex cognitive process, from listening to the music sound to understand the music emotion and connotation, and so on. With the development of brain neuroscience, we are now able to better understand the neural basis of music aesthetic perception mechanism and related brain function. The purpose of this study is to review the current brain science research methods on the mechanism of aesthetic perception of music, including fMRI, EEG, ERP and other signal analysis techniques, and the application and research progress of these technologies in music cognition, aesthetics and emotion processing. The conclusion of this paper shows that the brain science method can provide us with new visual angle and clue to deeply understand the neural mechanism of music perception, and has important practical value for strengthening music education and music therapy.</abstract><keywords/></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>Fritz T, Jentschke S, Gosselin N, et al., 2009, Universal Recognition of Three Basic Emotions in Music. Current</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B2" content-type="article"><label>2</label><element-citation publication-type="journal"><p>Biology, 19(7): 573–576.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B3" content-type="article"><label>3</label><element-citation publication-type="journal"><p>Itoh K, Suwazono S, Arao H, et al., 2009, Cortical Dynamics of Human Music Perception: An fMRI Study on Effects</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B4" content-type="article"><label>4</label><element-citation publication-type="journal"><p>of Musical Training. NeuroImage, 47(1): 354–362.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B5" content-type="article"><label>5</label><element-citation publication-type="journal"><p>Salimpoor VN, van den Bosch I, Kovacevic N, et al., 2013, Interactions Between the Nucleus Accumbens and</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B6" content-type="article"><label>6</label><element-citation publication-type="journal"><p>Auditory Cortices Predict Music Reward Value. Science, 340(6129): 216–219.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B7" content-type="article"><label>7</label><element-citation publication-type="journal"><p>Koelsch S, 2014, Brain Correlates of Music-Evoked Emotions. Nature Reviews Neuroscience, 15(3): 170–180.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B8" content-type="article"><label>8</label><element-citation publication-type="journal"><p>Sanyal S, Nag S, Banerjee A, 2018, Music of Brain and Music on Brain: A Novel EEG Sonification Approach. Cogn</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B9" content-type="article"><label>9</label><element-citation publication-type="journal"><p>Neurodyn, 13(1): 13–31.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B10" content-type="article"><label>10</label><element-citation publication-type="journal"><p>Schön D, Besson M, 2002, Processing Pitch and Duration in Music Reading: A RT-ERP Study. Neuropsychologia,</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B11" content-type="article"><label>11</label><element-citation publication-type="journal"><p>(7): 868–878.</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
