<?xml version="1.1" encoding="utf-8"?>
<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">SSR</journal-id><journal-title-group><journal-title>Scientific and Social Research</journal-title></journal-title-group><issn>2661-4332</issn><eissn>2981-9946</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26689/ssr.v6i1.5942</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>Feminist Interpretation of Hermia in A Midsummer Night’s Dream</title><url>https://artdesignp.com/journal/SSR/6/1/10.26689/ssr.v6i1.5942</url><author>WuMingyuan</author><pub-date pub-type="publication-year"><year>2024</year></pub-date><volume>6</volume><issue>1</issue><history><date date-type="pub"><published-time>2024-02-22</published-time></date></history><abstract>A Midsummer Night’s Dream is one of the masterpieces of the famous British dramatist, Shakespeare, and themost famous work among his “Four Comedies.” The work was created during the humanist period of the 15th and 16thcenturies in Britain. The characters in the work are three-dimensional and their lines are exquisite and deep. This workalso has a strong feminist color. This article starts with a brief introduction to A Midsummer Night’s Dream, followed byan explanation of feminism and the internal relationship between feminism and humanism. Lastly, the heroine, Hermia, isanalyzed from a feminist perspective, about how she broke through the exploitation and restrictions of women and realizedher ideals and values of life.</abstract><keywords/></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>Ji L, Ma L, 2022, Progress and Limitations of Female Characters in the Merchant of Venice. International Journal of Frontiers in Sociology, 4(6): 1–4.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B2" content-type="article"><label>2</label><element-citation publication-type="journal"><p>Sun JL, 2019, Western Feminist Marxist View of Women’s Liberation. Academic Exchange, 2019(09): 71–79.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B3" content-type="article"><label>3</label><element-citation publication-type="journal"><p>Shakespeare W, 2019, A Midsummer Night’s Dream, Oxford University Press, Oxford.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B4" content-type="article"><label>4</label><element-citation publication-type="journal"><p>Li R, 2020, Conflict, Conquest, Compromise: Interpretation of A Midsummer Night’s Dream in the Field of Power. Appreciation of Masterpieces, 2020(17): 45–50.</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
