SSRScientific and Social Research2661-43322981-9946Bio-Byword Scientific Publishing Pty. Ltd.10.26689/ssr.v6i12.9092ArticleAnalysis of Implication in Performing Artshttps://artdesignp.com/journal/SSR/6/12/10.26689/ssr.v6i12.9092ZhangYao20246122024-12-31The moral is expressed in words, the image expresses the meaning, the performance creation interprets the content and the emotion in the text category with the image symbol, the seductive observation and listening influences the human disposition, invents the character, and observes the life individual in the universe. Performing art is an objective representation of spiritual life, which cannot be contrasted with the physical level of real life. It focuses on the cultivation of meaning. The creative subject uses subjective feelings to create meaningful space, transmit infinite emotions, and echo the universal emotions of human beings.

Hu MH, 2022, A View of the Performing Art Creation in Shen Xiaomei’s “Exhausting Qishan”. Chinese Drama, 2022(4): 59–60.

Cheng Y, 2022, Research on Atmosphere Aesthetics under the Phenomenological Horizon, thesis, Southwest University.

Zou LJ, 2024, On the Presentation of Intangible Cultural Heritage in Drama Performance Art. Chinese Intangible Cultural Heritage, 2024(5): 72–77.

Cao YQ, 2024, Analysis on the Characteristics of Speed and Rhythm in Dramatic Stage Performance Art. Drama House, 2024(25): 48–50.

Chen Q, 2024, Inheritance and Innovation of Virtuality and Reality — Some Understandings of Opera Performance Art. Drama Monthly, 2024(4): 22–24.

Liu Z, 2024, Unlock the Code of Organic Communication in the Performing Arts of Drama, Film and Television. Cultural Industry, 2024(23): 28–30.

Ye SB, 2024, Discussion on Music Performing Art in the Study of Modern Music Aesthetics. Shenhua, 2024(21): 116–118.

Qu ZY, 2024, The Development of Vocal Music Performing Art in Mass Cultural Activities. Delta, 2024(20): 185–187.

Li B, 2024, The Practical Exploration and Innovative Method of the Integration of Drama and Film and Television Performance. Originality, 2024(6): 99–101.

Zhang XY, 2024, The Application of Multiculturalism in the Artistic Expression of Stage Performance. Grand View (Forum), 2024(6): 78–80.

Liu YJ, 2024, Improving Skills of Actors’ Emotional Expression in Drama Performance Art. Grand View of Arts, 2024(16): 67–69.

Tan M, 2024, Analysis of the Characteristics and Functions of the Inheritance of Traditional Drama Performing Arts. Art Review, 2024(9): 183–188.

He DJ, 2024, Research on Consumer Perceived Risk of Performing Arts Based on Technology Acceptance Model, thesis, China Conservatory of Music.

Qiu G, 2024, Research on the Integration and Development of Traditional Culture and Music Performing Art. New Chu Culture, 2024(12): 55–57.

Li MR, 2024, Research on the Construction Path of Media Matrix of Art Troupe from the Perspective of Media Fusion, thesis, China Conservatory of Music.