<?xml version="1.1" encoding="utf-8"?>
<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">SSR</journal-id><journal-title-group><journal-title>Scientific and Social Research</journal-title></journal-title-group><issn>2661-4332</issn><eissn>2981-9946</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26689/ssr.v6i2.6234</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>Research on the Shape and Structure of Mamianqun in the Ming and Qing Dynasties </title><url>https://artdesignp.com/journal/SSR/6/2/10.26689/ssr.v6i2.6234</url><author>GeYingying,XuHenan</author><pub-date pub-type="publication-year"><year>2024</year></pub-date><volume>6</volume><issue>2</issue><history><date date-type="pub"><published-time>2024-03-13</published-time></date></history><abstract>Mamianqun (horse-faced skirt) is one of the most typical dress patterns of traditional Chinese costume. In the long history of mamianqun, it was the Ming and Qing dynasties that were the heyday of its development. The changes were varied, and the styles were also novel and changeable, all of which demonstrated the mature progress of traditional costume in the Ming and Qing dynasties, making it the epitome of costume during that period. Starting from mamianqun, this paper focuses on the shape and structure of mamianqun during the Ming and Qing dynasties as its research subject and explores the significance of the times behind mamianqun by analyzing its shape, structure, and modeling characteristics.</abstract><keywords/></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>Qi Z, 2015, Beautiful Paired Aprons – Formation, Recombination and Disappearance of the Paired Aprons. Art &amp; Design Research, 2015(2): 84–93.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B2" content-type="article"><label>2</label><element-citation publication-type="journal"><p>Jia Z, 2023, A Study of Ancient Chinese Horse-Faced Skirts – With a Discussion on the Collection of Horse-Faced Skirts at Tsinghua University Art Museum. Journal of Donghua University (Social Science), 2023(1): 48–61.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B3" content-type="article"><label>3</label><element-citation publication-type="journal"><p>Wu Y, Li X, 2018, Modern Innovation of Traditional Chinese Mosaic and Piped Edge: Case Study of Phoenix-Tail Skirt. Silk Monthly, 55(4): 65–70.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B4" content-type="article"><label>4</label><element-citation publication-type="journal"><p>Cao X, Wang Q-S, 2016, From the Slitting Skirt to the Absorbing Essence, History of Art Development about the Horse-Face Apron. Art and Design, 2(10): 108–110. https://doi.org/10.16824/j.cnki.issn10082832.2016.10.037</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
