<?xml version="1.1" encoding="utf-8"?>
<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">SSR</journal-id><journal-title-group><journal-title>Scientific and Social Research</journal-title></journal-title-group><issn>2661-4332</issn><eissn>2981-9946</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26689/ssr.v6i8.7831</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>Gendered Perspectives in Film Narrative Strategies: An Analysis of Storytelling Techniques Centered on Women</title><url>https://artdesignp.com/journal/SSR/6/8/10.26689/ssr.v6i8.7831</url><author>SunYubo</author><pub-date pub-type="publication-year"><year>2024</year></pub-date><volume>6</volume><issue>8</issue><history><date date-type="pub"><published-time>2024-08-23</published-time></date></history><abstract>This paper explores the narrative strategies employed in film storytelling that are centered on women, examining how these techniques contribute to the portrayal and understanding of gendered perspectives. By analyzing a selection of films, this study seeks to uncover how filmmakers utilize narrative tools to challenge or reinforce traditional gender roles and expectations. The paper also considers the impact of these narrative choices on audience reception and interpretation, highlighting the importance of gender-sensitive storytelling in contemporary cinema.</abstract><keywords/></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>Mulvey L, 1975, Visual Pleasure and Narrative Cinema. Screen, 16(3): 6–18.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B2" content-type="article"><label>2</label><element-citation publication-type="journal"><p>Hooks B, 1992, Black Looks: Race and Representation. South End Press, Massachusetts.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B3" content-type="article"><label>3</label><element-citation publication-type="journal"><p>Gledhill C, 1987, The Melodramatic Field: Gender, Domesticity, and the 80s Hollywood Melodrama. Quadrant, 21(1): 41–57.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B4" content-type="article"><label>4</label><element-citation publication-type="journal"><p>Tasker Y, 1993, Spectacular Bodies: Gender, Genre, and the Action Cinema. Routledge, London.</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
