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<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">SSR</journal-id><journal-title-group><journal-title>Scientific and Social Research</journal-title></journal-title-group><issn>2661-4332</issn><eissn>2981-9946</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26689/ssr.v7i11.12951</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>From Localization to Global Localization: The Art of Storytelling on the Platform for Brand Building of Intangible Cultural Heritage</title><url>https://artdesignp.com/journal/SSR/7/11/10.26689/ssr.v7i11.12951</url><author>ZhangYue</author><pub-date pub-type="publication-year"><year>2025</year></pub-date><volume>7</volume><issue>11</issue><history><date date-type="pub"><published-time>2025-11-14</published-time></date></history><abstract>This study explores the crucial role of “platform-specific storytelling” in the global localization of intangible cultural heritage (ICH) brands. Despite the potential of global platforms such as Instagram, YouTube, and TikTok to tailor content for diverse audiences, there often exists a “narrative gap” between official narratives and platform-native user engagement. Through a comparative analysis of multi-platform content, this study dissects how their unique affordances—from visual aesthetics to participatory interaction—reshape brand identities and foster brand co-creation. The research findings aim to provide ICH practitioners with a strategic framework for bridging this gap through platform-optimized storytelling, effectively transforming local heritage into globally resonant cultural brands.</abstract><keywords/></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>Wang YR, Yu JX, Xu Y, et al., 2025, Research on International Dissemination Pathways of Regional Intangible Cultural Heritage in the New Media Context: A Case Study of Jiuzi Temple in Danyang. Digital Communication, 2025(6): 60–62.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B2" content-type="article"><label>2</label><element-citation publication-type="journal"><p>van Dijck J, Poell T, de Waal M, 2025, The Platform Society. Oxford University Press, New York. https://doi.org/10.1093/oso/9780190889760.001.0001</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B3" content-type="article"><label>3</label><element-citation publication-type="journal"><p>Yuan SM, Li YY, Yang SA, 2024, International Communication of China’s Intangible Cultural Heritage in a Cross-cultural Perspective: A Case Study of Embedded Porcelain Craftsmanship. Journal of Jianghan Petroleum Staff University, 37(5): 71–73.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B4" content-type="article"><label>4</label><element-citation publication-type="journal"><p>Chai Y, Wang YT, 2024, International Communication Practice Research of China’s Intangible Cultural Heritage: A Case Study of the Overseas Short Video Platform TikTok. Communication and Copyright, 2024(17): 76–80 + 84. https://doi.org/10.16852/j.cnki.45-1390/g2.2024.17.025</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
