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<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">SSR</journal-id><journal-title-group><journal-title>Scientific and Social Research</journal-title></journal-title-group><issn>2661-4332</issn><eissn>2981-9946</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26689/ssr.v7i2.9703</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>Analysis of the Style Characteristics of Fujian Nanyin and Minnan Folk Dance</title><url>https://artdesignp.com/journal/SSR/7/2/10.26689/ssr.v7i2.9703</url><author>HuangMeigui</author><pub-date pub-type="publication-year"><year>2025</year></pub-date><volume>7</volume><issue>2</issue><history><date date-type="pub"><published-time>2025-03-10</published-time></date></history><abstract>Music and dance are interdependent and develop jointly within the realm of art. Nanyin, a distinctive musical form in Quanzhou, Fujian, and folk dance have been closely linked and developed together throughout history. At the beginning of this article, the concepts of Fujian Nanyin and folk dance are respectively explained, with an emphasis on exploring their individual and common stylistic features demonstrated during their closely related development processes.</abstract><keywords/></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>Xiao D, 2011, The Style Characteristics of Nanyin and Minnan Folk Dance. Journal of Beijing Dance Academy, 2011(4): 107–111.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B2" content-type="article"><label>2</label><element-citation publication-type="journal"><p>Lin RZ, 2013, On the Historical Characteristics of Fujian Folk Dance. Journal of Yangtze University (Social Science edition), 2013(2): 181–182.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B3" content-type="article"><label>3</label><element-citation publication-type="journal"><p>Li X, 2012, Analysis of the Current Status and Future of Quanzhou Nanyin. Literary Circle (Theoretical Edition), 2012(11): 163–164.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B4" content-type="article"><label>4</label><element-citation publication-type="journal"><p>| Zhou Y, 2012, The Charm of Fujian Nanyin. Democracy, 2012(11): 36–38.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B5" content-type="article"><label>5</label><element-citation publication-type="journal"><p>Bai ZY, 2012, Research on the Musical Form of Nanyin Music. Journal of Yangtze University (Social Science Edition), 2012(10): 175–177.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B6" content-type="article"><label>6</label><element-citation publication-type="journal"><p>Lin SW, 2007, From Regional to National: On the Unique Personality and Development of Fujian Folk Dance. Art Garden, 2007(8): 24–26.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B7" content-type="article"><label>7</label><element-citation publication-type="journal"><p>Li L, 2012, On Fujian Folk Dance. Popular Literature and Art, 2012(10): 86–87.</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
