<?xml version="1.1" encoding="utf-8"?>
<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">SSR</journal-id><journal-title-group><journal-title>Scientific and Social Research</journal-title></journal-title-group><issn>2661-4332</issn><eissn>2981-9946</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26689/ssr.v7i9.12217</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>Research on Animated Films Incorporating Elements of the Folk Myths and Legends in Screen Adaptations and Audience Experience</title><url>https://artdesignp.com/journal/SSR/7/9/10.26689/ssr.v7i9.12217</url><author>LiQiyun</author><pub-date pub-type="publication-year"><year>2025</year></pub-date><volume>7</volume><issue>9</issue><history><date date-type="pub"><published-time>2025-09-09</published-time></date></history><abstract>Folklore and mythology film adaptation is a common theme for animation films, and audience experience is an important part of the modern movie evaluation system. In the commercial movie market, movie evaluation is regarded as an important indicator that affects the word-of-mouth and popularity of a movie. At the same time, studying audience experience can also help us study the psychology of moviegoers and explore the relationship between the subject matter and audience experience of folklore and mythological film adaptations in depth and differently. This paper will use online review data as a research method to summarize the audience experience data of folklore and mythological film adaptations by analyzing the existing online review data and its emotional tendency. By sampling online reviews to collect audience reviews of folklore-mythological film adaptations, the audience experience of folklore-mythological film adaptations is analyzed by linking the online review data. This study aims to obtain the relationship between the folklore myth adaptation movie and its audience experience from the study, to provide a reference sample for the study of folklore myth adaptation movies, and to provide a reference for the study of audience experience of animated movies in the specific topic of folklore myth adaptation movies.</abstract><keywords/></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>Liu CL, Yang L, 2025, Global Localization: Overseas Dissemination Strategies of China’s Mythological Animated Films. Film Review, 2025(2): 1–2.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B2" content-type="article"><label>2</label><element-citation publication-type="journal"><p>Wu T, 2022, Mining Analysis of Typical Opinions of Animated Movie Reviews in the Context of Big Data. Movie Review, 2022(20): 11–16.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B3" content-type="article"><label>3</label><element-citation publication-type="journal"><p>Liu Y, 2006, Word of Mouth for Movies: Its Dynamics and Impact on Box Office Revenue. Journal of Marketing, 70(3): 74–89.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B4" content-type="article"><label>4</label><element-citation publication-type="journal"><p>Yang HC, 2024, Myth, Transmedia, and Emotion: Science Fiction Cinema and the Thought of the Body. Beauty and the Age (Next), 2024(12): 1–2.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B5" content-type="article"><label>5</label><element-citation publication-type="journal"><p>Zhang D, 2024, The Creative Transformation of Traditional Mythological Resources in Animated Films in the New Century. A Study of New Works in Film, 2024(5): 1–3.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B6" content-type="article"><label>6</label><element-citation publication-type="journal"><p>Huang YZ, 2022, The Influencing Factors on the Effect of Word-of-Mouth Communication in Movies — Taking Douban Movies as an Example, thesis, University of Electronic Science and Technology.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B7" content-type="article"><label>7</label><element-citation publication-type="journal"><p>Yue Z, 2021, The Animated Film Creation Concept Based on the Perspective of Audience Psychology. Psychiatria Danubina, 33(7): 84–86.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B8" content-type="article"><label>8</label><element-citation publication-type="journal"><p>Meike U, 2018, Emotion in Animated Films. Taylor and Francis, Oxfordshire.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B9" content-type="article"><label>9</label><element-citation publication-type="journal"><p>Zhang QY, 2025, Reconstructing and Exploring the Narrative Structure of Animated Films in the Context of New Media. Drama House, 2025(13): 2–3.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B10" content-type="article"><label>10</label><element-citation publication-type="journal"><p>Zhang HF, Dong X, 2025, A Study on the Influencing Factors of Chinese Animated Films in Overseas Box Office (1949–2024). Journalism University, 2025(3): 1.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B11" content-type="article"><label>11</label><element-citation publication-type="journal"><p>Wang YL, Li YB, 2022, The Rise of China: A Study on the Use and Satisfaction of Domestic Animation Series — Take the Domestic Animated Films of Myth Series as an Example. The Art &amp; Design Research, 3(4): 1–2.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B12" content-type="article"><label>12</label><element-citation publication-type="journal"><p>Liu NN, Ran Q, 2022, Identity, Inheritance, And Breakthrough: The Focus of Empathic Discourse in Hotel Transylvania 4. The Transformation Adventure Movie Review, 2022(7): 2–4.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B13" content-type="article"><label>13</label><element-citation publication-type="journal"><p>Xu S, Meng Y, 2025, From Cultural Archetypes to Mirror Images of the Times: The Modern Rewriting of Mythological Motifs and the Continuation of Cultural Spirit under the Narrative Framework of National Comics. Journal of North University of China (Social Science Edition), published online, 4–6.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B14" content-type="article"><label>14</label><element-citation publication-type="journal"><p>Zhu YR, 2021, Analyzing the Regional Cultural Characteristics in the Animated Movie Legend of the Dragon Seeker: An Ancient and Modern Cultural Creation. 2021(37): 1–2.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B15" content-type="article"><label>15</label><element-citation publication-type="journal"><p>Ma YJ, 2024, Visualization and Analysis of Movie Review Data Based on Text Analytics — An Example of White Snake 2: The Rise of the Green Snake Looting Zhongyuan. Literature, 2024(30): 1–3.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B16" content-type="article"><label>16</label><element-citation publication-type="journal"><p>Jong DK, Liu GX, Jae HK, 2019, Emotion Decision Method of a Situation-based for Emotion Study of the Animation Lion King in Film. The Journal of Image and Cultural Contents, 2019(16): 265–286.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B17" content-type="article"><label>17</label><element-citation publication-type="journal"><p>Zhang J, Huang DD, 2024, Emotional Expression and Heterogeneous Personality — A Study on the Emotion of Motherly Love in Domestic Animation Films in the New Century. Sichuan Drama, 2024(6): 3–7.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B18" content-type="article"><label>18</label><element-citation publication-type="journal"><p>Ren YY, Song Y, 2024, Color Narrative of Animated Films—The Case of “Mind Agent Team” Movie. Color, 2024(4): 2–3.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B19" content-type="article"><label>19</label><element-citation publication-type="journal"><p>Huang NS, 1996, The Theory of Artistic Emotion in Twentieth-century Western Literature. Literary Studies, 1996(3): 1–10.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B20" content-type="article"><label>20</label><element-citation publication-type="journal"><p>Nan Z, Ellen Z, 2025, The Analysis of International Communication Value Assessment of Chinese Mythology Themed Animated Films in Belt and Road under BPNN Algorithm. Scientific Reports, 15(1): 16055.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B21" content-type="article"><label>21</label><element-citation publication-type="journal"><p>Sun CZ, Yi MJ, Jiang JJ, et al., 2024, Intelligence Science Sentiment Analysis of Short Movie Review Data Based on Deep Topic. Self-Encoder Model, 42(11): 2–5.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B22" content-type="article"><label>22</label><element-citation publication-type="journal"><p>Ekanayake HB, Fors U, Ramberg R, et al., 2013, Affective Realism of Animated Films in the Development of Simulation-Based Tutoring Systems. International Journal of Distance Education Technologies, 11(2): 96–109.</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
