<?xml version="1.1" encoding="utf-8"?>
<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">SSR</journal-id><journal-title-group><journal-title>Scientific and Social Research</journal-title></journal-title-group><issn>2661-4332</issn><eissn>2981-9946</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26689/ssr.v8i3.14357</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>Sula: The Formation and Reconstruction of Black Women’s Identity</title><url>https://artdesignp.com/journal/SSR/8/3/10.26689/ssr.v8i3.14357</url><author>ZhangJinghua,LiuJing</author><pub-date pub-type="publication-year"><year>2026</year></pub-date><volume>8</volume><issue>3</issue><history><date date-type="pub"><published-time>2026-04-15</published-time></date></history><abstract>Morrison has portrayed a series of strong and courageous black women full of vitality with her profound theme and superb artistry, such as Sula, which is an early work of hers. Under the social environment full of race, gender, and class discrimination, they pursue or choose their own ideal identities and lifestyles, and reap different destinies and endings. This paper analyzes the identity problem of black women in Sula through the black women’s perspective in terms of the background, storyline, main characters, and behaviors of the novel, aiming to reveal the plight and oppression suffered by the black women, as well as praising their pursuit of freedom and equality and their unyielding spirit. Thus, it helps readers to re-understand this work from a new perspective.</abstract><keywords/></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>Strinati D, 1995, An Introduction to Theories of Popular Culture. Routledge, London.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B2" content-type="article"><label>2</label><element-citation publication-type="journal"><p>Millet K, 1971, Sexual Politics. Avon, New York.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B3" content-type="article"><label>3</label><element-citation publication-type="journal"><p>Morrison T, 2004, Sula. Random House, Inc, New York.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B4" content-type="article"><label>4</label><element-citation publication-type="journal"><p>Beauvior SD, 1998, The Second Sex. Oxford University Press, Oxford.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B5" content-type="article"><label>5</label><element-citation publication-type="journal"><p>Washington MH, 1984, Mothering the Mind: Twelve Studies of Writers and Their Silent Parents. Holmes, New York, 142–163.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B6" content-type="article"><label>6</label><element-citation publication-type="journal"><p>Hooks B, 1990, Yearning: Race, Gender and Cultural Politics. South End Press, Boston.</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
