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<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">SSR</journal-id><journal-title-group><journal-title>Scientific and Social Research</journal-title></journal-title-group><issn>2661-4332</issn><eissn>2981-9946</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26689/ssr.v8i4.14820</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>Research on the Inheritance and Innovation Path of Chinese Painting from the Perspective of Cultural</title><url>https://artdesignp.com/journal/SSR/8/4/10.26689/ssr.v8i4.14820</url><author>PanYiqun</author><pub-date pub-type="publication-year"><year>2026</year></pub-date><volume>8</volume><issue>4</issue><history><date date-type="pub"><published-time>2026-05-25</published-time></date></history><abstract>Against the backdrop of the cultural renaissance, Chinese painting, as an artistic medium that embodies the spirit and aesthetic ideals, holds profound significance in preserving cultural heritage and promoting the creative transformation of traditional art through inheritance and innovation. Based on the theories of cultural awareness and cultural confidence, this study systematically analyzes the challenges that Chinese painting faces in the contexts of globalization and modernization. These challenges include inheritance dilemmas, innovation obstacles, changes in the audience, and communication constraints. It puts forward multidimensional strategies: establishing an inheritance system based on cultural ontology, developing contemporary expressions in line with modern values, exploring innovative aspects in artistic language, and reconstructing the communication ecosystem through new media and international exchanges. The research findings offer theoretical references and practical insights for the creative transformation and innovative development of Chinese painting.</abstract><keywords/></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>Shao DZ, 2018, Exploring the “Acceptance” and “Dissemination” of China’s Culture. Art Should Focus on People. Public Relations World, 2018(4): 90–98.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B2" content-type="article"><label>2</label><element-citation publication-type="journal"><p>Pan GK, 2002, Exploration of the Spiritual Charm of China Oil Painting. Art Research, 2005(3): 13–15.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B3" content-type="article"><label>3</label><element-citation publication-type="journal"><p>Wang YC, 2002, Discoveries in the East and Cultural Export of China. Journal of PLA Academy of Arts, 2002(3): 6–13.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B4" content-type="article"><label>4</label><element-citation publication-type="journal"><p>Xue YN, 2010, Tracing Origins, Converging Streams, and Deep Reflection: Fang Chuxiong’s Flower-and-Bird Painting Creation and Teaching. Fine Arts, 2010(10): 60–65.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B5" content-type="article"><label>5</label><element-citation publication-type="journal"><p>Wang YC, 2014, Artistic Conditions in the Era of Omnimedia. Humanities Journal, 2014(11): 44–59.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B6" content-type="article"><label>6</label><element-citation publication-type="journal"><p>Chen CX, 2001, The Long History of Chinese Landscape Painting. Friends of Fine Arts, 2001(1): 13–14.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B7" content-type="article"><label>7</label><element-citation publication-type="journal"><p>Zhou X, 2018, Tradition and Evolution in Art History: An Interview with Professor Yves-Alain Bouvard. Journal of Nanjing University of the Arts (Fine Arts and Design Edition), 2018(3): 7–11.</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
