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<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">SSR</journal-id><journal-title-group><journal-title>Scientific and Social Research</journal-title></journal-title-group><issn>2661-4332</issn><eissn>2981-9946</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26689/ssr.v8i5.15127</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>During the Same Period, the Development of Female Artists in China was Compared with that of Female Artists in Europe</title><url>https://artdesignp.com/journal/SSR/8/5/10.26689/ssr.v8i5.15127</url><author>WangYiqian</author><pub-date pub-type="publication-year"><year>2026</year></pub-date><volume>8</volume><issue>5</issue><history><date date-type="pub"><published-time>2026-06-05</published-time></date></history><abstract>This study focuses on female artists of the Tang Dynasty and female artists of the same period in Europe. It conducted research on the works of these female artists, made comparative analyses of representative female artists one by one, explored the value of their works during that period, analyzed the commonalities of female artists from different cultural backgrounds, and investigated the differences among them. Selecting representative female artists, the study compared their styles, achievements, and influences from multiple dimensions. The research found that social mobility, cultural inclusiveness, and the art evaluation system are important factors influencing the artistic development of female artists. This study can enrich the comparative research content on the history of female art from a cross-cultural perspective and provide references for the development of contemporary female art.</abstract><keywords/></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>Ling Y, Wong NYH, 2025, The Fire in My Heart: As a Woman Poet. Chinese Literature and Thought Today, 56(3–4): 8–11.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B2" content-type="article"><label>2</label><element-citation publication-type="journal"><p>Classen A, 2025, Sea Voyage and the Ship as Poetic Metaphors for Pre-Modern Women Poets Reflecting on Their Own Life and on Love: Marie de France, Christine de Pizan, and Catharina Regina von Greiffenberg. Arcadia, 60(1): 17–34.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B3" content-type="article"><label>3</label><element-citation publication-type="journal"><p>Lai LCH, 2020, Contemporary “Women’s Art in Hong Kong” Reframed: Performative Research on the Potentialities of Women Art Makers. Positions: Asia Critique, 28(1): 237–274.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B4" content-type="article"><label>4</label><element-citation publication-type="journal"><p>Lai LCH, 2020, Contemporary “Women’s Art in Hong Kong” Reframed. Positions: Asia Critique, 28(1): 237–274.</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
