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<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">SSR</journal-id><journal-title-group><journal-title>Scientific and Social Research</journal-title></journal-title-group><issn>2661-4332</issn><eissn>2981-9946</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26689/ssr.v8i7.15803</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>Exploring the AIGC Project-Based Teaching Model in 3D Graphic Design Courses from the Perspective of Cultural Inheritance</title><url>https://artdesignp.com/journal/SSR/8/7/10.26689/ssr.v8i7.15803</url><author>ZhangZhiteng</author><pub-date pub-type="publication-year"><year>2026</year></pub-date><volume>8</volume><issue>7</issue><history><date date-type="pub"><published-time>2026-08-14</published-time></date></history><abstract>To address the problems of disconnection between culture and technology, the lag in AIGC-enabled teaching, and the lack of a project-based closed loop in 3D graphic design courses, this study takes the cultural anchor principle, the technological adaptation principle, and the project-based closed-loop principle as its construction principles. It proposes an AIGC project-based teaching model and a phased tool adaptation system from the perspective of cultural inheritance, and conducts empirical verification using que ti, a traditional Chinese architectural component, as a case study. This research provides a feasible reference implementation path for the cultural empowerment of design courses and their integration with AIGC technology.</abstract><keywords/></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>Wang K, Chen GN, 2024, Curriculum Reform of Digital Media Art under the Background of AIGC. Shanghai Garment, 2024(6): 195–197.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B2" content-type="article"><label>2</label><element-citation publication-type="journal"><p>He SQ, Wu JJ, Qin JY, 2025, How Designers Cooperate with AI: Exploration on Teaching Mode of Design Workshop Empowered by AIGC. Art &amp; Design Research, 2025(1): 123–129.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B3" content-type="article"><label>3</label><element-citation publication-type="journal"><p>Xu W, 2025, Research on Intangible Cultural Heritage Communication Path Empowered by AIGC. Communication and Copyright, 2025(17): 79–85.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B4" content-type="article"><label>4</label><element-citation publication-type="journal"><p>Zhang Y, 2025, Aesthetic Boundary and Value Reflection of AIGC-generated Art. Art Communication Research, 2025(5): 92–101.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B5" content-type="article"><label>5</label><element-citation publication-type="journal"><p>Feng Q, Liu ZH, 2025, Application and Practice of Action Learning in Digital Art Teaching under AIGC Background. Decoration, 2025(3): 124–127.</p><pub-id pub-id-type="doi"/></element-citation></ref><ref id="B6" content-type="article"><label>6</label><element-citation publication-type="journal"><p>Zhang ZT, 2025, Digital Reconstruction of Architectural Carvings in Traditional Villages of Central Longzhong Area. China Science and Technology Press, Beijing, 28.</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
