<?xml version="1.1" encoding="utf-8"?>
<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">SSR</journal-id><journal-title-group><journal-title>Scientific and Social Research</journal-title></journal-title-group><issn>2661-4332</issn><eissn>2981-9946</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.36922/ssr.v3i2.1126</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>Analysis on the Relationship between Art and Image</title><url>https://artdesignp.com/journal/SSR/3/2/10.36922/ssr.v3i2.1126</url><author>HuangZijie,YangLinshun</author><pub-date pub-type="publication-year"><year>2021</year></pub-date><volume>3</volume><issue>2</issue><history><date date-type="pub"><published-time>2021-07-13</published-time></date></history><abstract>The framework and ideological system of Chinese art knowledge must be constructed. Through the limitation of Chinese art, the image of Chinese art history system enriches the social functions, and then provides an interpretation of the significance of image for Chinese art culture, indicating the direction of our modern art’s development.</abstract><keywords/></article-meta></front><body/><back><ref-list/></back></article>
