<?xml version="1.1" encoding="utf-8"?>
<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">SSR</journal-id><journal-title-group><journal-title>Scientific and Social Research</journal-title></journal-title-group><issn>2661-4332</issn><eissn>2981-9946</eissn><publisher><publisher-name>Bio-Byword Scientific Publishing Pty. Ltd.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.36922/ssr.v3i4.1226</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>The Application of Psychoanalytic Theory in Films, Based on the Movie Fanfan</title><url>https://artdesignp.com/journal/SSR/3/4/10.36922/ssr.v3i4.1226</url><author>FuBinbin</author><pub-date pub-type="publication-year"><year>2021</year></pub-date><volume>3</volume><issue>4</issue><history><date date-type="pub"><published-time>2021-10-26</published-time></date></history><abstract>The relationship between psychoanalytic theory and film is very close, open and integrated with each other. The psychoanalytic study of film is an important part of the study of contemporary western film theory. Through the mastery of psychoanalytic theory and the analysis of the film Fanfan starring Sophie Marceau, this paper proves the application and role of psychoanalysis in film.</abstract><keywords/></article-meta></front><body/><back><ref-list/></back></article>
